David Afkham © Gisela Schenker

Conductor

David Afkham

Biography – about the artist.

Chief conductor and artistic director of OrQUESTA Y CORO NAcIONALes DE ESPAÑA 

Known for his impeccable technique and compelling artistry, David Afkham has received worldwide acclaim and is one of the most sought-after conductors of his generation. Afkham is the Chief Conductor and Artistic Director of the Orquesta y Coro Nacionales de España, a position he has held since September 2019. Prior to this role, Afkham enjoyed a highly successful tenure as the orchestra's Principal Conductor since 2014.

Afkham’s impressive career has been marked by a series of critically acclaimed performances and collaborations with some of the world's leading orchestras. He has appeared with the Concertgebouworkest, London Symphony Orchestra, Philharmonia Orchestra, Symphonieorchester des Bayerischen Rundfunks, Münchner Philharmoniker, Staatskapelle Berlin, Deutsches Symphonie-Orchester Berlin, hr-Sinfonieorchester Frankfurt, SWR Symphonieorchester, Wiener Symphoniker, Orchestre National de France, Royal Stockholm Philharmonic, Swedish Radio Symphony, Oslo Philharmonic, Orchestra dell’Accademia Nazionale di Santa Cecilia, as well as with the Chamber Orchestra of Europe, Staatskapelle Dresden, Die Deutsche Kammerphilharmonie Bremen, and Mahler Chamber Orchestra.  

With regular appearances in North America, Afkham has previously led The Cleveland Orchestra, Boston Symphony Orchestra in Tanglewood, Chicago Symphony Orchestra, Los Angeles Philharmonic, The Philadelphia Orchestra, Minnesota Orchestra, Pittsburgh Symphony Orchestra, and Mostly Mozart Festival Orchestra in New York.  


Recent successes at the opera pit include performances of Richard Strauss's ‘Arabella’ at the Semperoper Dresden and a new production of the work at the Teatro Real, Madrid. Afkham has also conducted productions of Engelbert Humperdinck's ‘Hänsel & Gretel’ at the Oper Frankfurt, Richard Wagner's ‘Der fliegende Holländer’ at the Staatsoper Stuttgart, and Alberto Ginastera's ‘Bomarzo’ at Madrid's Teatro Real. He also conducted Giuseppe Verdi's ‘La Traviata’ at the Glyndebourne Festival Opera, later reviving the production for performances in the UK and Ireland for Glyndebourne on Tour. Furthermore, he has conducted semi-staged projects with the Orquesta y Coro Nacionales de España, including Wagner's ‘Der fliegende Holländer’, ‘Tristan und Islolde’, Strauss' ‘Elektra’ and ‘Salome’, and Bartók's ‘Bluebeard's Castle’.

Highlights of the 2024/25 season include a return to the Semperoper Dresden to conduct a production of ‘Fidelio’, debuts with the Rundfunk-Sinfonieorchester Berlin, Finnish Radio Symphony Orchestra, St. Louis Symphony Orchestra, and Bruckner Orchester Linz with concerts at Brucknerhaus Linz and Musikverein Wien. He will also return to the Chicago Symphony Orchestra, Seattle Symphony, Staatsorchester Stuttgart, and the Orchestre National de Lyon. Afkham's symphonic projects with the Orquesta y Coro Nacionales de España this season will encompass a diverse repertoire, including works such as Bruckner's Symphony No. 5, Shostakovich's Symphony No. 8, Mahler's Symphony No. 6, and Schumann's Scenes from Goethe's Faust.

Born in Freiburg, Germany, Afkham began piano and violin lessons at an early age. He went on to study piano, music theory, and conducting at the Hochschule für Musik Freiburg, before continuing his studies at the Hochschule für Musik FRANZ LISZT Weimar. Afkham was the first recipient of the Bernard Haitink Fund for Young Talent and has assisted Maestro Haitink on several major projects, including complete symphonic cycles with the Chicago Symphony Orchestra, Concertgebouworkest and London Symphony Orchestra. From 2009-2012, he was Assistant Conductor of the Gustav Mahler Jugendorchester.

Afkham won first prize at the Donatella Flick Conducting Competition in London in 2008 and was the inaugural recipient of the Nestlé and Salzburg Festival Young Conductors Award in 2010.

SAISON 2024/2025

The next dates:

09.10.2024

Sächsische Staatsoper Dresden (Semperoper)

Dresden

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12.10.2024

Sächsische Staatsoper Dresden (Semperoper)

Dresden

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17.10.2024

Sächsische Staatsoper Dresden (Semperoper)

Dresden

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26.10.2024

Sächsische Staatsoper Dresden (Semperoper)

Dresden

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07.11.2024

Benaroya Hall Seattle

Seattle

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08.11.2024

Benaroya Hall Seattle

Seattle

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09.11.2024

Benaroya Hall Seattle

Seattle

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22.11.2024

Auditorio Nacional de Música

Madrid

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23.11.2024

Auditorio Nacional de Música

Madrid

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24.11.2024

Auditorio Nacional de Música

Madrid

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10.12.2024

Konzerthaus Berlin

Berlin

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20.12.2024

Brucknerhaus Linz

Linz

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21.12.2024

Musikverein Wien

Wien

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Your contact persons:

General Management:

Katerina Kanavaki

+49 30 5213 702-23

katerina.kanavaki@kdschmid.de

General Management:

Andreas Flohr

+44 20 7395 09-30

andreas.flohr@kdschmid.co.uk

North America:

Ann SunHyung Kim

+1 917 306 9718

ann.kim@kdschmid.com

Artist Coordination:

Henriette von Schnakenburg

+49 30 5213 702-22

henriette.vonschnakenburg@kdschmid.de

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Artist Coordination:

Henriette von Schnakenburg

+49 30 5213 702-22

henriette.vonschnakenburg@kdschmid.de

Discography.

Gustav Mahler Sinfonía No. 2

Orquesta Nacional de España, Christina Landshamer, Karen Cargill

11.2022, INAEM, CD

Dmitri Shostakovich Sinfonía No. 7

Orquesta Nacional de Espanie

11.2021, INAEM, CD

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News.

David Afkham returns to the Los Angeles Philharmonic

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David Afkham conducts the Detroit Symphony Orchestra and the Minnesota Orchestra

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David Afkham steps in with The Cleveland Orchestra

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Jonathan Biss album release of the Volume I Beethoven/5 Commissioning Project

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David Afkham steps in with the Staatskapelle Dresden

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David Afkham returns to Munich for a debut Performance with the Symphonieorchester des Bayerischen Rundfunks

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Press.

„[...] an extraordinary musical direction by a David Afkham in a state of grace, an intelligent, delicate and subtle production signed by Christof Loy and an excellent cast with a leading quartet of a very high level.“

Jean Valjean, El Español, 25.01.2023

„Afkham led an exquisite performance that blended Brahms’ predominantly sparkling lyricism with moments of stunning power, all of it cast in playing of lustrous beauty.“

Lawrence B. Johnson, Chicago on the Aisle, 31.10.2019