Guido Sant'Anna © Clara Evans

Soloist

Guido Sant'Anna

Violin

Biography – about the artist.

Born in 2005 in São Paulo, Brazil, Guido Sant’Anna received international acclaim in 2022 when he became the first South American violinist to win the prestigious Fritz Kreisler International Competition in Vienna. This triumph was consolidated a few months later at the opening concert of the Rheingau Musik Festival 2023, where Sant’Anna made his major European debut alongside hr-Sinfonieorchester Frankfurt and Alain Altinoglu, receiving high praise for his performance of Édouard Lalo’s Symphonie Espagnole: ‘the young man has charisma, stage presence, and in his playing, an astonishing maturity and depth’ (Frankfurter Allgemeine Zeitung).

Sant’Anna has developed a close connection to the São Paulo State Symphony Orchestra and its Music Director Thierry Fischer, giving subscription concerts at home, as well as performing internationally on tour. In Germany, he is a regular guest to the Rheingau Musik Festival, giving performances with the likes of the Deutsche Kammerphilharmonie Bremen and Lucerne Festival Strings, whereas his continuous collaboration with hr-Sinfonieorchester Frankfurt features appearances at the Kronberg Academy Festival and Kurhaus Wiesbaden. Further orchestral debuts include the Danish Philharmonic Orchestra under Hans Graf, Helsinki Philharmonic with Jukka-Pekka Saraste, Münchener Kammerorchester with Lawrence Power, and Wiener Symphoniker under Eva Ollikainen at the Bregenz Festival. Following his successful US debut with Camerata Chicago in autumn 2024, further invitations include the New Mexico Philharmonic and Grand Rapids Symphony orchestras. In spring 2025, Guido makes his debut at the Elbphilharmonie as part of a European tour with the Neojibá Youth Orchestra, along with soloists Lucas and Arthur Jussen. Earlier in the 2024/25 season, he made his debut at the Konzerthaus Berlin as part of the Young Euro Classic.


Equally active as a recitalist, Sant’Anna has made successful recital appearances on tour in South Korea and in San Diego in the US, with imminent debuts including Wigmore Hall London at the invitation of András Schiff, Laeiszhalle Hamburg, Alte Oper Frankfurt, Kissinger Sommer and Brucknerhaus Linz.

In 2024, Sant’Anna was awarded the LOTTO-Förderpreis by the Rheingau Musik Festival and joined a prestigious list of recipients, including Sheku Kanneh-Mason, María Dueñas, and Tarmo Peltokoski. As of 2025, he is a fellow of the esteemed stARTacademy scheme, supported by Bayer Kultur.

Guido is currently studying at the Kronberg Academy, Germany, under the tutelage of Mihaela Martin. He began his violin lessons at the age of five, giving his orchestral debut two years later. In 2018, he became the first Brazilian violinist to be invited to the Yehudi Menuhin International Competition in Geneva, winning both the Audience Prize and the Chamber Music Award. His numerous accomplishments have earned him a coveted place on Forbes Brazil’s ‘30 under 30’ list.

Guido plays a violin made in 1874 by Jean-Baptiste Vuillaume, on generous loan from the luthier Marcel Richters.

SEASON 2024/2025


Orchestra.

Neojibá - Youth Orchestra of Bahia

Following the success of previous tours, the Brazilian youth orchestra Neojibá will again embark on a European tour in spring 2025 under the direction of Ricardo Castro, touring Germany, Austria, BeNeLux, France and…

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The next dates:

30.03.2025

Alte Oper Frankfurt

Frankfurt

> more about the promoter

12.04.2025

Popejoy Hall Albuquerque

Albuquerque

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17.04.2025

Teatro Mayor Julio Mario Santo Domingo

Bogotá

> more about the promoter

24.05.2025

Historische Stadthalle Wuppertal

Wuppertal

> more about the promoter

Your contact persons:

General Management:

Spiros Chatziangelou

+44 20 7395 09-17

spiros.chatziangelou@kdschmid.co.uk

Alexandre Lenne

Associate Artist Manager

+44 20 7395 09-34

alexandre.lenne@kdschmid.co.uk

Artist Coordination:

Elspeth Manders

+44 20 7395 09-36

elspeth.manders@kdschmid.co.uk

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Artist Coordination:

Elspeth Manders

+44 20 7395 09-36

elspeth.manders@kdschmid.co.uk

Discography.

News.

KD SCHMID welcomes Violinist Guido Sant’Anna to the roster for General Management

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New Year’s Concert with the hr-Sinfonieorchester, Izabelė Jankauskaitė, and Guido Sant’Anna

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Guido Sant'Anna makes his debut with the Camerata Chicago

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Guido Sant'Anna and Jaemin Han Perform with the hr-Sinfonieorchester at the Kronberg Festival

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Press.

„The young Brazilian violinist Guido Sant'Anna, winner of the International Fritz Kreisler Competition 2022, plays with an emotional depth that is remarkable for his 17 years, a warm intonation in all registers and an astonishingly light-handed virtuosity.“

nmz, neue musikzeitung, Andreas Hauff, 05.08.2023

„Accompanied by the hr-Sinfonieorchester under the baton of its principal conductor, Alain Altinoglu, it soon becomes apparent that the young man is indeed an exceptional talent. He walks the fine line between sensuality and salon-music cloyingness with absolute aplomb, both technically and in terms of taste. [...] The encore, a furiously difficult solo work by the Belgian violinist-composer Eugène Ysaÿe with "special effects" such as pizzicato in the left hand, confirms both the technical brilliance and musical maturity of the young violinist.“

Darmstädter Echo, Volker Milch, 26.06.2023

„A discovery was the Brazilian Guido Sant'Anna, only seventeen years old, who gave his brilliant debut at the Rheingau Festival in Lalo’ Symphonie espagnole. [...] Sant'Anna mastered it with breathtaking naturalness, holding himself against any orchestral force with his rich tone including fast, non-cloudy vibrato, and symbiotically combining it with his sonorous instrument, a nineteenth-century violin by Jean Baptiste Vuillaume, which exactly fits the work's character. The young man has charisma, stage presence, and in his playing, an astonishing maturity and depth.“

Frankfurter Allgemeine Zeitung, Guido Holze, 26.06.2023

„The 17-year-old Brazilian took on the virtuoso part in Édouard Lalo’s Symphonie Espagnole and the audience responded with applause after each movement, with Alain Altinoglu and Sant'Anna brushing it off nicely. Far and wide, the soloist conveyed a brilliant sweetness to the audience, which you don’t see presented every day in an artist’s debut concert. [...] A mature performance, a very stable playing, confirmed by a movement from Eugène Ysaÿe's Solo Sonata No. 5 as an encore.“

Frankfurter Rundschau, Judith von Sternburg, 25.06.2023