Guido Sant'Anna © Clara Evans

Soloist

Guido Sant'Anna

Violin

Biography – about the artist.

Born in 2005 in São Paulo, Brazil, Guido Sant’Anna received international acclaim in 2022 when he became the first South American violinist to win the prestigious Fritz Kreisler International Competition in Vienna. Since then, he has performed at leading concert halls and festivals, appearing with orchestras such as the hr-Sinfonieorchester and Die Deutsche Kammerphilharmonie Bremen at the Rheingau Musik Festival, and taking the stage at Hamburg’s Elbphilharmonie and the Konzerthaus Berlin. A particularly close artistic bond has developed between Sant’Anna and the São Paulo State Symphony Orchestra under the direction of Thierry Fischer — a collaboration that has included subscription concerts, international tours, and his first studio recording. His growing list of collaborations with distinguished conductors includes Alain Altinoglu, Hans Graf, Jérémie Rhorer, Simone Menezes, Alexander Joel, and Marcelo Lehninger.

In the 2025/26 season, Sant’Anna makes a series of notable debuts, including performances with the Helsinki Philharmonic under Chief Conductor Jukka-Pekka Saraste on tour at Frankfurt’s Alte Oper; with the Iceland Symphony Orchestra in Reykjavík under Principal Guest Conductor Tomáš Hanus; and with the Gulbenkian Orchestra in Lisbon, conducted by Neil Thomson. Additional highlights include a tour across Northern Germany with the Nordwestdeutsche Philharmonie and Olari Elts, debuts with the Grand Rapids Symphony, Gävle Symphony Orchestra, and Tiroler Symphonieorchester Innsbruck, as well as his first appearance at Munich’s Isarphilharmonie with the Münchner Symphoniker in Brahms’ Double Concerto alongside cellist Jaemin Han and Chief Conductor Joseph Bastian. In summer 2026, he marks another milestone with his debut at the Bregenzer Festspiele, performing Sibelius’ Violin Concerto with the Wiener Symphoniker under Eva Ollikainen.




Beyond his orchestral engagements, Sant’Anna is equally active as a recitalist. At the close of the 2025/26 season, he appears at several leading German festivals, including the Rheingau Musik Festival, Kissinger Sommer, Schleswig-Holstein Musik Festival, stARTfestival, and Festspiele Mecklenburg-Vorpommern. Recent recital debuts have taken him to the stages of the Conrad Prebys Performing Arts Center in San Diego, Laeiszhalle Hamburg, and Alte Oper Frankfurt, with upcoming appearances at Wigmore Hall with András Schiff and Brucknerhaus Linz with Giorgi Gigashvili. From 2025 to 2028, he is a featured artist of the Debut in Nikolaisaal programme in Potsdam.

In 2024, Sant’Anna was awarded the LOTTO-Förderpreis by the Rheingau Musik Festival, joining a distinguished list of past recipients, including Sheku Kanneh-Mason, María Dueñas, and Tarmo Peltokoski. As of 2025, he is also a fellow of the esteemed stARTacademy programme, supported by Bayer Kultur.

Guido began violin lessons at the age of five, making his orchestral debut two years later. In 2018, he became the first Brazilian violinist to be invited to the Yehudi Menuhin International Competition in Geneva, where he won both the Audience Prize and the Chamber Music Award. He is currently studying at the Kronberg Academy in Germany under the tutelage of Mihaela Martin, with support from the Margareta and Steffen Rabus patronage. His many accomplishments have earned him a place on Forbes Brazil’s ‘30 Under 30’ list. 
Guido plays a violin made in 1874 by Jean-Baptiste Vuillaume, generously loaned by the luthier Marcel Richters.

SEASON 2025/2026


Orchestra.

Neojibá - Youth Orchestra of Bahia

Following the success of previous tours, the Brazilian youth orchestra Neojibá will again embark on a European tour in spring 2025 under the direction of Ricardo Castro, touring Germany, Austria, BeNeLux, France and…

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Your contact persons:

General Management:

Spiros Chatziangelou

+44 20 7395 09-17

spiros.chatziangelou@kdschmid.co.uk

Alexandre Lenne

Associate Artist Manager

+44 20 7395 09-34

alexandre.lenne@kdschmid.co.uk

Artist Coordination:

Elspeth Manders

+44 20 7395 09-36

elspeth.manders@kdschmid.co.uk

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Artist Coordination:

Elspeth Manders

+44 20 7395 09-36

elspeth.manders@kdschmid.co.uk

Discography.

News.

KD SCHMID welcomes Violinist Guido Sant’Anna to the roster for General Management

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New Year’s Concert with the hr-Sinfonieorchester, Izabelė Jankauskaitė, and Guido Sant’Anna

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Guido Sant'Anna makes his debut with the Camerata Chicago

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Guido Sant'Anna and Jaemin Han Perform with the hr-Sinfonieorchester at the Kronberg Festival

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Press.

„‘Most notably, it was in Sibelius’ Violin Concerto that violinist Sant’Anna introduced himself to the audience—and his debut was impressive. He entered into a vibrant dialogue with the richly resonant orchestra, capping the first movement with a flourish, his bow held high. In the following movement, the ensemble's playing surged like a stream, with the violinist joining in seamlessly; his beautifully phrased conclusion came across with great dignity. The enthusiastic applause after the final third movement was directed especially at the soloist’.“

Westdeutsche Zeitung, Martin Hagemeyer, 27.05.2025

„The now world-renowned Brazilian violinist Guido Sant’Anna shaped the dominant long solos of the concerto entirely in the improvisational spirit with which Sibelius, himself a violinist, had once developed for the piece, the audience applause interrupting every movement. Conductor Ricardo Castro and the Neojiba Orquestra da Bahia concentrated on a dynamic balance that always gave the soloist priority.“

Hamburger Abendblatt, Helmut Peters, 23.05.2025

„Accompanied by the hr-Sinfonieorchester under the baton of its principal conductor, Alain Altinoglu, it soon becomes apparent that the young man is indeed an exceptional talent. He walks the fine line between sensuality and salon-music cloyingness with absolute aplomb, both technically and in terms of taste. [...] The encore, a furiously difficult solo work by the Belgian violinist-composer Eugène Ysaÿe with "special effects" such as pizzicato in the left hand, confirms both the technical brilliance and musical maturity of the young violinist.“

Darmstädter Echo, Volker Milch, 26.06.2023

„A discovery was the Brazilian Guido Sant'Anna, only seventeen years old, who gave his brilliant debut at the Rheingau Festival in Lalo’ Symphonie espagnole. [...] Sant'Anna mastered it with breathtaking naturalness, holding himself against any orchestral force with his rich tone including fast, non-cloudy vibrato, and symbiotically combining it with his sonorous instrument, a nineteenth-century violin by Jean Baptiste Vuillaume, which exactly fits the work's character. The young man has charisma, stage presence, and in his playing, an astonishing maturity and depth.“

Frankfurter Allgemeine Zeitung, Guido Holze, 26.06.2023

„The 17-year-old Brazilian took on the virtuoso part in Édouard Lalo’s Symphonie Espagnole and the audience responded with applause after each movement, with Alain Altinoglu and Sant'Anna brushing it off nicely. Far and wide, the soloist conveyed a brilliant sweetness to the audience, which you don’t see presented every day in an artist’s debut concert. [...] A mature performance, a very stable playing, confirmed by a movement from Eugène Ysaÿe's Solo Sonata No. 5 as an encore.“

Frankfurter Rundschau, Judith von Sternburg, 25.06.2023