Symphony |
Gewandhausorchester Leipzig |
21.08.25 - 03.09.25 |
Under the direction of Gewandhauskapellmeister Andris Nelsons, the Gewandhausorchester Leipzig embarks on a European festival tour.
Programm 1:
Arvo Pärt: Cantus in memory Benjamin Britten (1977/80) für Streichorchester und eine Glocke
Antonin Dvořák: Konzert für Violine und Orchester a-Moll op. 53
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Jean Sibelius: Symphonie Nr. 2 D-Dur op. 43
Programm 2:
Felix Mendelssohn Bartholdy: Symphonie Nr. 5 D-Dur op. 107 ("Reformations-Symphonie")
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Johannes Brahms: Ein deutsches Requiem op. 45
The Gewandhausorchester is the oldest civic symphony orchestra in the world. The enterprise was founded in 1743 by a group of 16 musical philanthropists – representatives of the nobility as well as regular citizens - forming a concert society by the name of Das Große Concert. On taking residence in the trading house of the city's textile merchants (the 'Gewandhaus') in 1781, the ensemble assumed the name Gewandhausorchester. Many celebrated musicians have been appointed to the office of Gewandhauskapellmeister (Music Director and Principal Conductor), including Johann Adam Hiller, Felix Mendelssohn Bartholdy, Arthur Nikisch, Kurt Masur, Herbert Blomstedt and Riccardo Chailly. Andris Nelsons assumed the position of 21st Gewandhauskapellmeister in September 2018. The Gewandhausorchester´s unique contribution to Europe´s historical and current musical wealth has been recognized with the award of the European Cultural Heritage Label.
Music lovers worldwide revere the highly individual sound palette that distinguishes the Gewandhausorchester from all other symphony orchestras. This unique sound identity, along with the extraordinarily rich diversity of the repertoire which the Gewandhausorchester performs, is cultivated in over 250 performances each year in the Orchestra's three 'homes': as symphony orchestra in the Gewandhaus, orchestra of the Leipzig Opera and orchestra for the weekly performances of the cantatas of Johann Sebastian Bach with the Thomanerchor in St. Thomas's Church. No other elite symphony orchestra dedicates itself so intensively to the performance of the music of J.S. Bach. The Gewandhausorchester has toured the globe on a regular basis since 1916 and records extensively for the media of radio, television, CD and DVD.
Few other ensembles have exerted such significant and enduring influence on the development of the symphonic music tradition as the Gewandhausorchester. Throughout its history, the orchestra has consistently attracted the collaborative energies of the world's most eminent composers, conductors and soloists. The Gewandhausorchester performed a complete cycle of the symphonies of Beethoven during his lifetime (1825/26), as well as the first ever cycle of Bruckner's symphonies to be mounted (1919/20). Wagner's Prelude to Die Meistersinger von Nürnberg, Beethoven's 5th Piano Concerto Emperor, Brahms' Violin Concerto and Deutsches Requiem and Bruckner's 7th Symphony are just a fraction of the wealth of the core symphonic repertoire to be given its first performance by the Gewandhausorchester. The orchestra commissions and premieres new works every season to this day.
A decisive contribution to the development of the symphonic repertoire must be attributed to the celebrated Gewandhauskapellmeister, Felix Mendelssohn Bartholdy. During his tenure from 1835 until 1847, he presided over the first performances of numerous works from his own pen, for instance the Violin Concerto, the Scottish Symphony and his Overture to Ruy Blas, as well as the world premieres of many works of other composers, including Schubert's C major Symphony The Great and Schumann's 1st, 2nd and 4th symphonies. Through the introduction of new programming concepts - highly innovative for the time - Mendelssohn sharpened the Gewandhaus audiences' awareness of the music of times past, most notably reviving the performance of the orchestral oeuvre of J.S. Bach.
It was on Mendelssohn's initiative that Germany's first conservatoire was founded, in Leipzig, in 1843 - the modern-day University of Music and Theatre Felix Mendelssohn Bartholdy (UMT). Following the principles established by Mendelssohn himself, the Gewandhausorchester and the UMT have collaborated since 2004 in the form of the Mendelssohn Orchestra Academy (MOA), offering the most talented young musicians the opportunity to hone their skills to the level required by the world's elite orchestras. During the two-year training programme, members of the MOA receive individual tuition, coaching and mentoring from musicians of the Gewandhausorchester and from professors of the UMT. They hone their practical skills through regular active participation in concerts both at the Gewandhaus and on tour, in performances at the Leipzig Opera, at St Thomas’s Church, as well as in an intensive programme of chamber music. This enables the young musicians to acquire a diverse repertoire and gain invaluable experience for their future careers. In the 2024/2025 season, the Gewandhausorchester will celebrate the 20th anniversary of the founding of the MOA. Members of the MOA and of the Gewandhausorchester will perform a gala concert which will open the Mendelssohn Festival 2024. The MOA will also play a decisive role in the Shostakovich Festival 2025, as part of the Festival Orchestra for three symphonic concerts, as well as in chamber concerts taking place at the UMT and at the Mendelssohn House.
Recordings by the Gewandhausorchester
The CD productions released by the Gewandhausorchester have been decorated with a plethora of international record awards, including a Golden Disc. Under the direction of Riccardo Chailly, the Decca label produced a complete cycle of Beethoven's symphonies and nine of his overtures (CD, 2007-2009) and a cycle of Brahms' symphonies (CD, 2012-2013). Riccardo Chailly also led the Orchestra in numerous acclaimed DVD recordings of the symphonies of Gustav Mahler (accentus music, 2011-2015).
To mark the occasion of Herbert Blomstedt's 90th birthday in July 2017, a new complete cycle of Beethoven's symphonic oeuvre conducted by the Gewandhausorchester's Conductor Laureate was released by accentus music. In July 2022. shortly before Herbert Blomstedt’s 95th birthday, the first disc of a complete cycle of the symphonies of Franz Schubert was released (symphonies 8 & 9, Deutsche Grammophon). 2022 also saw the release of the third and final disc of Herbert Blomstedt’s Brahms symphony cycle, coupled with the Tragic Overture, op. 81 and the Academic Festival Overture, op. 80 (Pentatone).
Andris Nelsons, the 21st Gewandhauskapellmeister, has led the orchestra in DVD recordings on the accentus music label of Antonín Dvořák's 9th Symphony From the New World (released in February 2018), Alban Berg's Violin Concerto coupled with Felix Mendelssohn Bartholdy's Scottish Symphony (released in August 2018), and Peter Tchaikovsky’s 6th (February 2019) and 5th symphonies (February 2020).
On the occasion of Sofia Gubaidulina's 90th birthday in October 2021, Deutsche Grammophon released a CD with world premiere recordings of Der Zorn Gottes, Das Licht des Endes and the violin concerto No. 3 Dialog: Ich und Du (Vadim Repin, violin) under the baton of Andris Nelsons. In May 2022, a seven-CD box set of symphonic works by Richard Strauss, recorded by the Gewandhausorchester and the Boston Symphony Orchestra, of which Andris Nelsons is also Music Director, was released by Deutsche Grammophon.
Under the baton of Franz-Welser Möst, the Gewandhausorchester can be heard together with pianist Igor Levit in Tristan - Préludes for piano, tapes and orchestra of Hans Werner Henze (Sony Classic 09/2022).
In 2022 Andris Nelsons and the Gewandhausorchester completed the cycle of the symphonies of Anton Bruckner, produced on CD by Deutsche Grammophon. In 2023, the CDs of the cycle were released as a box set, including a recording of the Symphony No. 0, which will appear on CD for the first time played by the Gewandhausorchester.
February 2023 saw the re-release of the complete cycle of Bruckner’s symphonies under the baton of Herbert Blomstedt, Conductor Laureate of the Gewandhausorchester. The recordings, made between 2005 and 2012, have been considered reference performances ever since their initial release ten years ago (accentus music).
In spring 2024, the Gewandhausorchester and Andris Nelsons, together with Lang Lang and his wife, Gina Alice, released the album Saint-Saëns, featuring Saint-Saëns’ Carnival of the Animals in the version for two pianos and orchestra and his Piano Concerto No. 2 in G minor.
A touring orchestra of KD SCHMID.
SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF GEWANDHAUSORCHESTER LEIPZIG.
Andris Nelsons © Jens Gerber
Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most sought-after conductors in the world today.
Nelsons' positions in Boston and Leipzig commenced in the 2014/15 season and February 2018, respectively. In Autumn 2019, Nelsons, the Boston Symphony Orchestra, and the Gewandhausorchester Leipzig came together for three joint performances at Boston’s Symphony Hall. This ground-breaking alliance has since led to co-commissions, musician exchanges, and educational collaborations. In May 2025, the partnership will celebrate a further milestone when the Boston Symphony Orchestra joins the Gewandhausorchester for the Shostakovich Festival Leipzig, a comprehensive and globally unique celebration of the composer’s music, marking the 50th anniversary of his death. Nelsons will conduct two performances of “Lady Macbeth of the Mtsensk District” and all major Shostakovich symphonies, including a joint performance of the “Leningrad” Symphony No. 7, featuring musicians from both orchestras. As part of the festival, Nelsons will also conduct the newly created Festival Orchestra made up of young musicians from the Mendelssohn-Akademie Leipzig and the Tanglewood Music Center, an educational institution which Nelsons has been leading as Head of Conducting since 2024.
Nelsons and the Gewandhausorchester Leipzig will begin their 2024/25 season with a European tour, returning, among others, to the Lucerne Festival, and culminating in the season opening at the Gewandhaus. A further tour in February and March 2025 will feature celebrated soloist duo Lucas & Arthur Jussen in concerts across Europe. Nelsons will conduct contemporary works by Gewandhauskomponist Thomas Adès, as well as new commissions by the Boston Symphony Orchestra’s inaugural composer chair, Carlos Simon. The season in Boston, which marks Nelsons' 10th anniversary as Music Director of the Boston Symphony Orchestra, will include a complete Beethoven symphony cycle, a residency at Carnegie Hall in New York, and a European tour to Riga, Vienna, Prague and Leipzig with all-Shostakovich programmes. Nelsons will also resume his guest appearances, including a four-week Asia tour with the Wiener Philharmoniker, consisting of 22 concerts in 10 cities across South Korea, China, and Japan. The tour will also feature several world-renowned soloists – including frequent collaborator Seong-Jin Cho. Andris Nelsons will further mark his return to the Berliner Philharmoniker in December with performances of Bruckner’s eighth symphony.
Andris Nelsons is an exclusive recording artist with Deutsche Grammophon, a partnership which has resulted in various landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. Nelsons and the Boston Symphony Orchestra partner on recordings of the complete Shostakovich symphonies and the opera “Lady Macbeth of the Mtsensk District” – a cycle which has garnered four GRAMMY awards in the categories Best Orchestral Performance and Best Engineered Album. Furthermore, Nelsons and the Gewandhausorchester Leipzig recently concluded a critically acclaimed Bruckner symphonic cycle in celebration of the composer’s 200th birthday. Nelsons’ recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker were released in October 2019. As part of the alliance between the Boston Symphony Orchestra and the Gewandhausorchester Leipzig, Deutsche Grammophon produced a celebrated 2022 release of Richard Strauss’ major symphonic works performed by both orchestras.
Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.
SEASON 2024/2025
©OJ Slaughter
Three-time Grammy Award-winning violinist Hilary Hahn melds expressive musicality and technical expertise with a diverse repertoire guided by artistic curiosity. Her barrier-breaking attitude towards classical music and commitment to sharing her experiences with a global community have made her a fan favorite. Hahn is a prolific recording artist and commissioner of new works, and her 23 feature recordings have received every critical prize in the international press. She is currently visiting professor at the Royal Academy of Music, after several years as the Chicago Symphony Orchestra’s first-ever Artist-in-Residence, Artist-in-Residence at the New York Philharmonic, Visiting Artist at the Juilliard School, and Curating Artist of the Dortmund Festival.
In the 2024–25 season, Hahn tours the globe: in Japan, Beethoven with the Deutsche Kammerphilharmonie Bremen; in the U.S., Korngold with the Berlin Philharmonic; throughout Europe, Tchaikovsky with the Orchestre Philharmonique de Radio France; throughout Spain and the Canary Islands, Mendelssohn with the Munich Philharmonic; on tour with the National Symphony Orchestra; and at the BBC Proms in Korea. In addition, she joins the Cleveland Orchestra, New York Philharmonic, San Francisco Symphony, and many others. She also continues her immensely popular all-Bach solo recitals in Cincinnati and Philadelphia.
Hahn has personally commissioned and championed works by a diverse array of more than 40 living composers, including Steven Banks, Jennifer Higdon, Jessie Montgomery, and Carlos Simon. Her 2021 recording ‘Paris’ features the world premiere recording of Einojuhani Rautavaara’s ‘Deux Sérénades’, a piece written for Hahn and which she premiered in 2019. Other recent commissions include Michael Abels’s ‘Isolation Variation’, Hahn’s recording of which was nominated for a Grammy; Barbara Assiginaak’s ‘Sphynx Moth’; Lera Auerbach’s Sonata No. 4 ‘Fractured Dreams’, and ‘6 Partitas’ by Antón García Abril. García Abril, Auerbach, and Rautavaara were among the 27 composers who contributed to ‘In 27 Pieces: the Hilary Hahn Encores’, Hahn's Grammy Award-winning multi-year commissioning project.
Hahn has related to her fans naturally from the very beginning of her career. She has committed to signings after nearly every concert and maintains and shares a collection of the fan-art she has received over the course of 20 years. Her “Bring Your Own Baby” concerts create opportunities for parents of infants to share their enjoyment of live classical music with their children in a nurturing, welcoming environment. Hahn’s commitment to her fans extends to a long history of educational outreach. Her social media-based initiative, #100daysofpractice, has transformed practice into a community-building celebration of artistic development; since Hahn created the hashtag in 2017, fellow performers and students have contributed more than one million posts. A former Suzuki student, she released new recordings of the first three books of the Suzuki Violin School in 2020. In 2019, she released a book of sheet music for ‘In 27 Pieces: the Hilary Hahn Encores’, which includes her own fingerings and bowings and performance notes for each work.
Hahn is a prolific and celebrated recording artist whose feature albums on Decca, Deutsche Grammophon, and Sony have all opened in the top ten of the Billboard charts. Recent releases include ‘Night After Night’, a collection of James Newton Howard’s scores for the films of M. Night Shyamalan, for which Hahn reprised her contributions to his score for The Village; and a recording of Ysaÿe’s six sonatas for solo violin, which saw Hahn celebrate her artistic lineage as a student of Ysaÿe’s former pupil. Three of Hahn’s albums—her 2003 Brahms and Stravinsky concerto disc, a 2008 pairing of Schoenberg and Sibelius concerti, and her 2013 recording of ‘In 27 Pieces: the Hilary Hahn Encores’—have been awarded Grammys. Jennifer Higdon’s Violin Concerto, which was composed for Hahn and which she recorded in 2008, was awarded the Pulitzer Prize.
Hahn is the recipient of numerous awards and recognitions. In recent seasons, she received the Avery Fisher Prize, was named Musical America’s Artist of the Year for 2023, delivered the keynote speech of the Second Annual Women in Classical Music Symposium, received the 2021 Herbert von Karajan award, and was awarded the eleventh Annual Glashütte Original Music Festival Award, which she donated to the Philadelphia-based music education nonprofit Project 440. Hahn was the 2022 Chubb Fellow at Yale University’s Timothy Dwight College; she also holds honorary doctorates from Middlebury College—where she spent four summers in the total-immersion German, French, and Japanese language programs—and Ball State University, where there are three scholarships in her name.
SEASON 2024/2025
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