KD SCHMID Gewandhausorchester Leipzig

Symphony

Gewandhausorchester Leipzig

24.02.25 - 12.03.25

about the tour.

The Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons go on a European tour.


Programm 1:
Gustav Mahler: Blumine - (Einlage-Satz zu Sinfonie Nr. 1)

Felix Mendelssohn Bartholdy: Konzert für zwei Klaviere und Orchester E-Dur (1823)

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Antonin Dvořák: Symphonie Nr. 8 G-Dur op. 88 (1889)


Programm 2:
Antonin Dvořák: Das goldene Spinnrad (Zlatý kolovrat) - Symphonische Dichtung op. 109

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Gustav Mahler: Sinfonie Nr. 4 G-Dur in vier Sätzen für großes Orchester und Sopran-Solo (1899/1901)

 

 

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An Orchestra full of experience.

Biography – about the orchestra.

The Gewandhausorchester is the oldest civic symphony orchestra in the world. The enterprise was founded in 1743 by a group of 16 musical philanthropists – representatives of the nobility as well as regular citizens - forming a concert society by the name of Das Große Concert. On taking residence in the trading house of the city's textile merchants (the 'Gewandhaus') in 1781, the ensemble assumed the name Gewandhausorchester. Many celebrated musicians have been appointed to the office of Gewandhauskapellmeister (Music Director and Principal Conductor), including Johann Adam Hiller, Felix Mendelssohn Bartholdy, Arthur Nikisch, Kurt Masur, Herbert Blomstedt and Riccardo Chailly. Andris Nelsons assumed the position of 21st Gewandhauskapellmeister in September 2018. The Gewandhausorchester´s unique contribution to Europe´s historical and current musical wealth has been recognized with the award of the European Cultural Heritage Label.

Music lovers worldwide revere the highly individual sound palette that distinguishes the Gewandhausorchester from all other symphony orchestras. This unique sound identity, along with the extraordinarily rich diversity of the repertoire which the Gewandhausorchester performs, is cultivated in over 250 performances each year in the Orchestra's three 'homes': as symphony orchestra in the Gewandhaus, orchestra of the Leipzig Opera and orchestra for the weekly performances of the cantatas of Johann Sebastian Bach with the Thomanerchor in St. Thomas's Church. No other elite symphony orchestra dedicates itself so intensively to the performance of the music of J.S. Bach. The Gewandhausorchester has toured the globe on a regular basis since 1916 and records extensively for the media of radio, television, CD and DVD.


Few other ensembles have exerted such significant and enduring influence on the development of the symphonic music tradition as the Gewandhausorchester. Throughout its history, the orchestra has consistently attracted the collaborative energies of the world's most eminent composers, conductors and soloists. The Gewandhausorchester performed a complete cycle of the symphonies of Beethoven during his lifetime (1825/26), as well as the first ever cycle of Bruckner's symphonies to be mounted (1919/20). Wagner's Prelude to Die Meistersinger von Nürnberg, Beethoven's 5th Piano Concerto Emperor, Brahms' Violin Concerto and Deutsches Requiem and Bruckner's 7th Symphony are just a fraction of the wealth of the core symphonic repertoire to be given its first performance by the Gewandhausorchester. The orchestra commissions and premieres new works every season to this day.

A decisive contribution to the development of the symphonic repertoire must be attributed to the celebrated Gewandhauskapellmeister, Felix Mendelssohn Bartholdy. During his tenure from 1835 until 1847, he presided over the first performances of numerous works from his own pen, for instance the Violin Concerto, the Scottish Symphony and his Overture to Ruy Blas, as well as the world premieres of many works of other composers, including Schubert's C major Symphony The Great and Schumann's 1st, 2nd and 4th symphonies. Through the introduction of new programming concepts - highly innovative for the time - Mendelssohn sharpened the Gewandhaus audiences' awareness of the music of times past, most notably reviving the performance of the orchestral oeuvre of J.S. Bach.

It was on Mendelssohn's initiative that Germany's first conservatoire was founded, in Leipzig, in 1843 - the modern-day University of Music and Theatre Felix Mendelssohn Bartholdy (UMT). Following the principles established by Mendelssohn himself, the Gewandhausorchester and the UMT have collaborated since 2004 in the form of the Mendelssohn Orchestra Academy (MOA), offering the most talented young musicians the opportunity to hone their skills to the level required by the world's elite orchestras. During the two-year training programme, members of the MOA receive individual tuition, coaching and mentoring from musicians of the Gewandhausorchester and from professors of the UMT. They hone their practical skills through regular active participation in concerts both at the Gewandhaus and on tour, in performances at the Leipzig Opera, at St Thomas’s Church, as well as in an intensive programme of chamber music. This enables the young musicians to acquire a diverse repertoire and gain invaluable experience for their future careers. In the 2024/2025 season, the Gewandhausorchester will celebrate the 20th anniversary of the founding of the MOA. Members of the MOA and of the Gewandhausorchester will perform a gala concert which will open the Mendelssohn Festival 2024. The MOA will also play a decisive role in the Shostakovich Festival 2025, as part of the Festival Orchestra for three symphonic concerts, as well as in chamber concerts taking place at the UMT and at the Mendelssohn House.

Recordings by the Gewandhausorchester

The CD productions released by the Gewandhausorchester have been decorated with a plethora of international record awards, including a Golden Disc. Under the direction of Riccardo Chailly, the Decca label produced a complete cycle of Beethoven's symphonies and nine of his overtures (CD, 2007-2009) and a cycle of Brahms' symphonies (CD, 2012-2013). Riccardo Chailly also led the Orchestra in numerous acclaimed DVD recordings of the symphonies of Gustav Mahler (accentus music, 2011-2015).

To mark the occasion of Herbert Blomstedt's 90th birthday in July 2017, a new complete cycle of Beethoven's symphonic oeuvre conducted by the Gewandhausorchester's Conductor Laureate was released by accentus music. In July 2022. shortly before Herbert Blomstedt’s 95th birthday, the first disc of a complete cycle of the symphonies of Franz Schubert was released (symphonies 8 & 9, Deutsche Grammophon). 2022 also saw the release of the third and final disc of Herbert Blomstedt’s Brahms symphony cycle, coupled with the Tragic Overture, op. 81 and the Academic Festival Overture, op. 80 (Pentatone).

Andris Nelsons, the 21st Gewandhauskapellmeister, has led the orchestra in DVD recordings on the accentus music label of Antonín Dvořák's 9th Symphony From the New World (released in February 2018), Alban Berg's Violin Concerto coupled with Felix Mendelssohn Bartholdy's Scottish Symphony (released in August 2018), and Peter Tchaikovsky’s 6th (February 2019) and 5th symphonies (February 2020).

On the occasion of Sofia Gubaidulina's 90th birthday in October 2021, Deutsche Grammophon released a CD with world premiere recordings of Der Zorn Gottes, Das Licht des Endes and the violin concerto No. 3 Dialog: Ich und Du (Vadim Repin, violin) under the baton of Andris Nelsons. In May 2022, a seven-CD box set of symphonic works by Richard Strauss, recorded by the Gewandhausorchester and the Boston Symphony Orchestra, of which Andris Nelsons is also Music Director, was released by Deutsche Grammophon.

Under the baton of Franz-Welser Möst, the Gewandhausorchester can be heard together with pianist Igor Levit in Tristan - Préludes for piano, tapes and orchestra of Hans Werner Henze (Sony Classic 09/2022).

In 2022 Andris Nelsons and the Gewandhausorchester completed the cycle of the symphonies of Anton Bruckner, produced on CD by Deutsche Grammophon. In 2023, the CDs of the cycle were released as a box set, including a recording of the Symphony No. 0, which will appear on CD for the first time played by the Gewandhausorchester.

February 2023 saw the re-release of the complete cycle of Bruckner’s symphonies under the baton of Herbert Blomstedt, Conductor Laureate of the Gewandhausorchester. The recordings, made between 2005 and 2012, have been considered reference performances ever since their initial release ten years ago (accentus music).

In spring 2024, the Gewandhausorchester and Andris Nelsons, together with Lang Lang and his wife, Gina Alice, released the album Saint-Saëns, featuring Saint-Saëns’ Carnival of the Animals in the version for two pianos and orchestra and his Piano Concerto No. 2 in G minor.

A touring orchestra of KD SCHMID.

SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF GEWANDHAUSORCHESTER LEIPZIG.

Dirigent/-in

Andris Nelsons

Andris Nelsons © Jens Gerber

Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most renowned and innovative conductors on the international scene today.

Nelsons’ positions in Boston and Leipzig commenced in the 2014/15 season and in February 2018, respectively. Autumn 2019 marked a ground-breaking highlight for Nelsons, the Boston Symphony Orchestra and the Gewandhausorchester Leipzig: three performances featuring musicians from both institutions within one joint orchestra were given at Boston’s Symphony Hall as part of the alliance between the two orchestras. In 2020, this unique partnership between both orchestras culminated in another highlight, a joint release of the major symphonic works by Richard Strauss for Deutsche Grammophon, including Strauss’s Festliches Präludium jointly performed by musicians from both orchestras. To mark the release, Nelsons and the Gewandhausorchester Leipzig completed a residency tour to London, Hamburg, Vienna and Paris to perform two all-Strauss programmes in May 2022.


Nelsons and the Boston Symphony Orchestra begin their 2023/24 season with a major European tour, performing in a number of prestigious summer festivals, including the BBC Proms, the Lucerne and Salzburg Festivals. In January 2024, the BSO and Nelsons will perform two guest concerts at Carnegie Hall with pianist Seong-Jin Cho and a concert performance of Shostakovich’s opera "Lady Macbeth of the Mtsensk District". This season, the Gewandhausorchester Leipzig embark on two tours under Nelsons’ direction: to Asia in November 2023, with concerts in Taiwan, Korea and Japan, and a European tour in March 2024, with three symphonic programmes celebrating the works of Tchaikovsky. Nelsons will also continue his guest appearances this season, performing with the Berliner Philharmoniker together with violinist Baiba Skride, and will return Vienna for performances with Wiener Philharmoniker in June, including the annual Summer Night Concert at Schönbrunn Palace. Nelsons will also conduct the Royal Stockholm Philharmonic for concerts featuring trumpeter Håkan Hardenberger.

Andris Nelsons has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. Nelsons and the Boston Symphony Orchestra partner on recordings of the complete Shostakovich symphonies and the opera "Lady Macbeth of the Mtsensk District" – this cycle is already the recipient of four GRAMMY awards in the categories "Best Orchestral Performance" and "Best Engineered Album". Furthermore, Nelsons and the Gewandhausorchester Leipzig continue their critically acclaimed Bruckner symphonic cycle. Both cycles released their fifth instalments in 2021. Nelsons’ recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker, in celebration of the composer’s 250th birthday, were released in October 2019.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.

SEASON 2023/2024

Solisten

Lucas & Arthur Jussen, Piano

© Marco Borggreve

Lucas and Arthur Jussen are among the most sought-after piano duos of our time. In view of their illustrious international career, one could remark that the Jussen brothers (30 and 26) are the Netherland’s pre-eminent ambassadors for classical music. With their energetic, almost symbiotic playing, their great refinement of sound and gripping interpretations, they are praised vigorously by press and audiences alike. ‘It is like driving a pair of BMWs’, exclaimed conductor Michael Schønwandt about the two pianists after directing them in concert.

The Jussen brothers have performed with eminent orchestras internationally, including the Boston Symphony Orchestra and The Philadelphia Orchestra, Concertgebouworkest, Budapest Festival Orchestra, NDR Elbphilharmonie Orchester, the Academy of St Martin in the Fields, as well as the Montréal, Sydney, Singapore and Shanghai Symphony Orchestras. They collaborate with the likes of renowned conductors such as Andris Nelsons, Christoph Eschenbach, Iván Fischer, Sir Neville Marriner, Yannick Nézet-Séguin, Jukka-Pekka Saraste and Jaap van Zweden.

In August 2023, Lucas and Arthur Jussen performed with the Boston Symphony Orchestra under Kazuki Yamada at the Tanglewood Festival. This will be followed by festival appearances at the Rheingau Musik Festival, Gstaad and Amsterdam. With the Sinfonieorchester Basel they open the 2023/24 concert season in the city of Basel. Further highlights of the new season include debuts with the Gewandhausorchester Leipzig, Wiener Symphoniker, Philharmonia Orchestra London and Taiwan Philharmonic. Other guest engagements take them back to the Münchner Philharmoniker, WDR Sinfonieorchester, the Danish National Symphony Orchestra and Tonhalle-Orchester Zürich. They perform the concerto "Anka kuşu" (Phoenix), written for them by Fazıl Say, with the Mozarteumorchester Salzburg, the Oslo Philharmonic Orchestra and on tour with the Amsterdam Sinfonietta. Touring projects take them around Europe along with the London Philharmonic Orchestra and the City of Birmingham Symphony Orchestra. This season they are "Artists in Residence" with the Orchestra Sinfonica di Milano Giuseppe Verdi. In recital they can be heard in Hamburg, Berlin, Bratislava, Prague, Antwerp, Brussels, Chicago, Abu Dhabi, Hong Kong and Taiwan.


Recording exclusively with Deutsche Grammophon since 2010, their debut recording with works by Beethoven received platinum status and was awarded the Edison Klassiek audience award. A Schubert recording and Jeux, a recording dedicated to French piano music, were subsequently released. Their recording of Mozart’s piano concertos KV 365 and KV 242 together with the Academy of St Martin in the Fields and Sir Neville Marriner reached gold status. The Jussen brothers also recorded Poulenc’s double piano concerto and Saint-Saëns’ ‘The Carnival of the Animals’ with the Concertgebouworkest and Stéphane Denève, as well as concertos and chorales by Bach with the Amsterdam Sinfonietta. On "The Russian Album" (March 2021) they interpret works for two pianos by Rachmaninoff, Stravinsky and Arensky. The latest addition to their discography is "Dutch Masters" (April 2022) which is devoted to works by Dutch composers, in collaboration with the Netherlands Radio Philharmonic Orchestra and Karina Canellakis. The recording was awarded an Edison Klassiek in the category "Chamber Music", as well as the audience award in September 2022.

Lucas and Arthur received their first piano lessons in their native town of Hilversum. As children, they were invited to perform for the Dutch Queen Beatrix. Then distinctions and awards in competitions followed. In 2005, the brothers met the Portuguese pianist Maria João Pires. During the following years they took lessons from both Pires and renowned Dutch teachers. Lucas completed his studies with Menahem Pressler in the US and with Dmitri Bashkirov in Madrid. Arthur graduated from the Amsterdam Conservatory, where he studied with Jan Wijn.

SEASON 2023/2024

Christiane Karg, Soprano

Christiane Karg © Gisela Schenker

Originally from Feuchtwangen in Bavaria, soprano Christiane Karg studied at the Mozarteum University Salzburg under Heiner Hopfner and as part of Wolfgang Holzmair’s Lied class, where she was additionally awarded the Lilli Lehmann Medal for her master's degree in opera/musical theatre. After making her debut at the Salzburg Festival before graduating, she has been a welcome guest ever since.

As a performer of the most celebrated roles in the repertoire, she continues to appear on the world’s prominent stages: in London at the Royal Opera House Covent Garden and at Opéra national de Paris as Pamina, at the Lyric Opera Chicago and at the Met in New York as Susanna, at La Scala in Milan as Sophie and Euridice, at the Vienna State Opera as Mélisande, at the Hamburg State Opera as Pamina, Mélisande, Daphne and Contessa, at the Staatsoper unter den Linden as Micaëla and at the Bavarian State Opera as Pamina, Blanche “Dialogues des Carmélites” and Fiordiligi. As Artist in Residence at the Graz Musikverein, Christiane Karg was heard for the first time as Rosalinde in a concert performance of Johann Strauss' “Die Fledermaus”, and as Rusalka in Antonín Dvořák's fairy-tale opera of the same name she will make her eagerly awaited role debut at the Staatsoper Berlin in the current season.


The soprano is an equally sought-after performer on the international concert stage. Her musical partnerships to date have included names such as Ivor Bolton, Herbert Blomstedt, Riccardo Chailly, Christoph Eschenbach, Andrés Orozco-Estrada, Iván Fischer, Daniel Harding, Nikolaus Harnoncourt, Thomas Hengelbrock, Manfred Honeck, Mariss Jansons, Fabio Luisi, Marek Janowski, Andrew Manze, Zubin Mehta, Riccardo Muti, Yannick Nézet-Séguin, Kirill Petrenko und Christian Thielemann. These have paved the way for collaborations with major orchestras such as the Vienna and Berlin Philharmonic Orchestras, Leipzig Gewandhaus Orchestra, Dresden Staatskapelle, Bavarian Radio Symphony Orchestra, the Orchestre de Paris, Accademia di Santa Cecilia, Philadelphia Orchestra, Rotterdam Philharmonic Orchestra, Bamberg and Vienna Symphony Orchestras and the Munich Philharmonic Orchestra.

Projects in the current season include Mendelssohn's Second Symphony "Lobgesang" with the Gewandhausorchester Leipzig under Andris Nelsons, Berlioz's “Les nuits d'été” with the Filarmonica della Scala under Andrés Orozco-Estrada and the Kammerakademie Potsdam under Antonello Manacorda, and Zemlinsky's Lyric Symphony with the Orquesta y Coro Nacionales de España conducted by David Afkham. Christiane Karg will also appear as soloist in Brahms’ “Ein deutsches Requiem” with the WDR Sinfonieorchester under Christian Măcelaru and in Berg's “Seven Early Songs” with the Danish National Symphony Orchestra under Fabio Luisi. With the Antwerp Symphony Orchestra she will perform in Mahler's Fourth Symphony under Elim Chan and with the Orchestre de Paris under Klaus Mäkelä, with whom she will also perform in a chamber concert.

Christiane Karg continues to cultivate her passion for song and chamber music projects, with regular guest appearances at the Schubertiade in Hohenems and Schwarzenberg, as well as at London's Wigmore Hall (as artist in residence in the 2019/2020 season). She has also given numerous recitals at the Vienna Musikverein, Vienna Konzerthaus, Pierre Boulez Saal in Berlin and the Salzburg Festival.

Off stage, Christiane Karg leads and creates her own concert series in her hometown of Feuchtwangen as artistic director of the KunstKlang festival, while spearheading the project "Be part of it! - Music for All", championing music education for children and young people. For her services, she received the Brahms Prize of the Brahms Society of Schleswig-Holstein, the Bavarian Culture Prize in the category of art and the Bavarian Order of Merit.

In spring 2017, Christiane Karg released her critically acclaimed solo CD “Parfum” with settings of texts by Charles Baudelaire, Leconte de Lisle, Paul Verlaine, Tristan Klingsor and Victor Hugo on the Berlin Classics label. She also received the coveted Echo Klassik for her recording of Mozart's “Le nozze di Figaro” under Yannick Nézet-Séguin in the category Opera Recording of the Year. Her additional discs “Scene!” with the Arcangelo Baroque Ensemble under Jonathan Cohen as well as her first lied disc “Verwandlung - Lieder eines Jahres” were honoured with the renowned music prize in the category "Solo Recording". Her recordings “Amoretti” with arias by Wolfgang Amadeus Mozart, Christoph Willibald Gluck and André Grétry, and Heimliche Aufforderung with songs by Richard Strauss are also available on the Berlin Classics label. The Harmonia Mundi label, where Christiane Karg is now an exclusive artist, released Beethoven’s 9th Symphony and Choral Fantasy with the Freiburg Baroque Orchestra under Pablo Heras-Casado, followed by her solo album “Erinnerung” (Memory) with songs by Gustav Mahler.

Her latest recording "Das Licht der Welt - A Christmas Promenade", on which she is accompanied by Gerold Huber at the piano and the Bavarian Radio Choir under Howard Arman illuminates enchanting rarities of the Christmas repertoire. Excerpts from the disc she has taken to the stage of the Vienna Musikverein.

SEASON 2023/2024 -THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF MACHREICH ARTISTS MANAGEMENT.

Nikola Hillebrand, Soprano

Nikola Hillebrand ©Franziska Schrödinger

German soprano Nikola Hillebrand has gained recognition as a regular name at the world's leading opera houses and concert halls including the Bavarian State Opera, Glyndebourne, the Salzburg Festival, Vienna Musikverein, Mozartwoche Salzburg, Vienna Konzerthaus, the Cologne and Paris Philharmonie, Hamburg Laeizshalle, Bremen Music Festival and with conductors such as Adam Fischer, Fabien Gabel, Stephan Gottfried, Manfred Honeck, René Jacobs, Vaclav Luks, Raphaël Pichon, Andris Nelsons, Andrés Orozco-Estrada, Jérémie Rohrer, Alexander Soddy, Robin Ticciati and Franz Welser-Möst.

Upon completing her studies in Munich, Nikola Hillebrand was engaged by the Mannheim National Theatre, and from 2020 to 2024 was a member of the ensemble at the Semperoper Dresden, where she appeared in roles such as Pamina “Die Zauberflöte”, Susanna “Nozze di Figaro”, Musetta “La Bohème”, Zdenka “Arabella”, Sophie “Der Rosenkavalier”, Ännchen “Der Freischütz”, Gretel “Hänsel und Gretel” and Adele “Die Fledermaus”.


Additional highlights to date have included Zdenka in Richard Strauss' “Arabella” at the Bonn Theatre and Zurich Opera House, as well as Pamina “Die Zauberflöte” and Adele “Die Fledermaus” at the Hamburg State Opera. In January 2024, she made her acclaimed debut as Kunigunde in Bernstein's Candide at the Theater an der Wien. In summer 2024, she will make her debut as Agathe in a new production of Weber's “Der Freischütz” at the Bregenz Festival and in the 2024/2025 season, Nikola Hillebrand will sing Pamina for the first time at the Opéra de Bastille in Paris and Susanna “Nozze di Figaro” at the Zurich Opera. This was followed by concert performances in the latter role with the Basel Chamber Orchestra and Giovanni Antonini in Luxembourg, Paris, Hamburg and Basel. Nikola Hillebrand can be heard in concert performances of “Der Freischütz” as Ännchen with the Kammerakademie Potsdam and under the direction of Antonello Manacorda in Potsdam, Paris, Baden-Baden and Berlin.

On the concert stage in the coming season, Nikola Hillebrand will perform Mahler's “Symphony No. 4” under Roberto González-Monjas in A Coruña and with the Gewandhaus Orchestra under Andris Nelsons in Vienna and Budapest, followed by Mozart's “Mass in C minor” with Concentus Musicus under Stefan Gottfried at the Vienna Musikverein, Mahler's “Symphony No. 2” under Marin Alsop at the Vienna Konzerthaus and Schumann's “Faust Scenes” under David Afkham in Madrid.

Nikola Hillebrand is a passionate Lied singer in addition to her opera and concert activities. She is the winner of the international song competition "Das Lied 2019" in Heidelberg and recently celebrated her song recital debuts at the Heidelberger Frühling Festival, the Festival de Pâques in Aix-en-Provence, the Leeds Lieder Festival, the Schleswig-Holstein Festival, London's Wigmore Hall, the Essen Philharmonie, the Pierre Boulez Saal in Berlin and the Musikverein Graz.

SEASON 2024/2025 -THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF MACHREICH ARTISTS MANAGEMENT.

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