KD SCHMID Alain Altinoglu

Conductor

Alain Altinoglu

Biography – about the artist.

Music Director Théâtre Royal de la Monnaie
Chefdirigent hr-Sinfonieorchester Frankfurt
artistic director of Festival international de colmar
 

Alain Altinoglu is Directeur Musical of the Théâtre Royal de la Monnaie in Brussels, Chefdirigent of the hr-Sinfonieorchester Frankfurt, and Artistic Director of Festival International de Colmar. Since 2015, he has earned widespread recognition for his extraordinary leadership, and inspiring, riveting, and transcendent opera performances in Brussels. His tenure with hr-Sinfonieorchester Frankfurt commenced from the 2021/22 season, and his first edition in Colmar took place in July 2023.

Highlights of the 2024/25 season include continuing the acclaimed multi-season production of Wagner’s ‘Der Ring des Nibelungen’ at La Monnaie, directed by Pierre Audi. With hr-Sinfonieorchester Frankfurt, Altinoglu embarks on touring projects to Japan and Europe, including performances of Honegger’s ‘Jeanne d'Arc au bûcher’ in France, Germany, and Austria. In Paris, they appear at Notre Dame Cathedral premiering Thierry Escaich's ‘Te Deum’ in a special concert marking the reopening of the cathedral. In Europe, Altinoglu continues guesting relationships with Wiener Philharmoniker, Münchner Philharmoniker, and Czech Philharmonic.


Alain Altinoglu regularly conducts such distinguished orchestras as Berliner Philharmoniker, Wiener Philharmoniker, Symphonieorchester des Bayerischen Rundfunks, London Symphony Orchestra, Chicago Symphony Orchestra, The Cleveland Orchestra, Boston Symphony Orchestra, The Philadelphia Orchestra, Russian National Orchestra, Philharmonia Orchestra London, Concertgebouworkest, Royal Stockholm Philharmonic Orchestra, Danish National Symphony Orchestra, Münchner Philharmoniker, Sächsische Staatskapelle Dresden, Rundfunk-Sinfonieorchester Berlin, Deutsches Symphonie-Orchester Berlin, Tonhalle-Orchester Zürich, as well as all the major Parisian orchestras.

A regular guest at the world’s leading opera houses, Altinoglu appears at Metropolitan Opera New York, Royal Opera House London Covent Garden, Teatro alla Scala, Wiener Staatsoper, Opernhaus Zürich, the Teatro Colón in Buenos Aires, Deutsche Oper Berlin, Staatsoper Unter den Linden Berlin, Bayerische Staatsoper München, and all three opera houses in Paris. He has also appeared at the festivals in Bayreuth, Salzburg, Orange, and Aix-en-Provence.

Alongside his conducting, Altinoglu maintains a strong affinity with the Lied repertoire and regularly performs with mezzo-soprano Nora Gubisch. Altinoglu has released audio recordings for Deutsche Grammophon, Naïve, Pentatone, and Cascavelle. DVD productions of Honegger’s ‘Jeanne d’Arc au bûcher’ (Accord), Wagner’s ‘Der fliegende Holländer’ (DG), ‘The Golden Cockerel’, ‘Iolanta’, ‘The Nutcracker’, ‘Pelléas et Mélisande’ (BelAirClassiques) have also been released to critical acclaim.

Born in Paris, Alain Altinoglu studied at the Conservatoire National Supérieur de Musique de Paris where he now teaches the conducting class.

SEASON 2024/2025

The next dates:

12.12.2024

Alte Oper Frankfurt

Frankfurt

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13.12.2024

Philharmonie de Paris - Cité de la musique

Paris

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16.12.2024

Musikverein Wien

Wien

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17.12.2024

Musikverein Wien

Wien

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18.12.2024

Elbphilharmonie

Hamburg

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19.12.2024

Konzerthaus Dortmund

Dortmund

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05.01.2025

BOZAR MUSIC

Bruxelles

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04.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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08.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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11.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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16.02.2025

BOZAR MUSIC

Bruxelles

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16.02.2025

BOZAR MUSIC

Bruxelles

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19.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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23.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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26.02.2025

Théâtre Royal de la Monnaie

Bruxelles

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02.03.2025

Théâtre Royal de la Monnaie

Bruxelles

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Your contact persons:

General Management:

Andreas Flohr

+44 20 7395 09-30

andreas.flohr@kdschmid.co.uk

Managing Director:

Karen McDonald

+44 20 7395 09-15

karen.mcdonald@kdschmid.co.uk

Artist Coordination:

Sian Watson

+44 20 7395 09-13

sian.watson@kdschmid.co.uk

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Artist Coordination:

Sian Watson

+44 20 7395 09-13

sian.watson@kdschmid.co.uk

Discography.

Piotr Beczala

The French Collection

02.2015, Deutsche Grammophon, CD

> Amazon > iTunes

Prokofiev & Khachaturian: Piano Concertos

Rundfunk-Sinfonieorchester Berlin, Nareh Arghamanyan

11.2014, Pentatone, CD

> Amazon > iTunes

Folk Songs

Nora Gubisch, Alain Altinoglu

05.2014, Naive, CD

> Amazon > iTunes

Massenet: Thérèse

07.2013, Singulares, CD

> Amazon

Melodies

Nora Gubisch, Alain Altinoglu

05.2012, Naive, CD

> Amazon > iTunes

News.

Tour Dates: Bruce Liu and Alain Altinoglu with the hr-Sinfonieorchester Frankfurt in Japan

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Christian Tetzlaff at the Rheingau Musik Festival 2024

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Alain Altinoglu makes his debut with the Finnish Radio Symphony Orchestra

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Summer Festivals 2022

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Press.

„The prize undoubtedly goes to Orchestre symphonique de la Monnaie, whose total stylistic adequacy is equalled only by the instrumental involvement of all the sections; one can obviously count on the energetic and theatrical direction of Alain Altinoglu to magnify the ensemble and hold, not without humour, the stage.“

ResMusica, Benedict Hévry, 24.02.2021

„What a nervous brilliance and yet a naturally floating lightness of the lush orchestra! What an outstanding plasticity of metrical richness and impulses coming from the depth of the score! What a culture of sound, especially among the wind soloists!“

Kölner Stadt-Anzeiger, Markus Schwering, 26.03.2019

„The orchestra offered a thrilling interpretation.“

General-Anzeiger Bonn, Bernhard Hartmann, 26.03.2019

„Alain Altinoglu dazzles in Boston Symphony debut“

Kevin Wells, Bachtrack, 03.04.2017

„In a concert of extraordinary sophistication, dynamic daring, brilliant transparency and supple phrasing from the London Symphony Orchestra and the French conductor Alain Altinoglu“

Anna Picard, The Times, 27.03.2017

„Altinoglu led the suite with energy and surgical precision, and The Cleveland Orchestra infused the piece with dazzling color. The audience response was rapturous.“

Daniel Hathaway, Cleveland Classical, 17.10.2016