Symphony |
Royal Scottish National Orchestra |
10.10.25 - 19.10.25 |
Programme 1
Benjamin Britten : Four Sea Interludes op. 33a from the opera ‘Peter Grimes’
Maurice Ravel : Piano Concerto in G major (1931)
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Sergei Rachmaninoff : Symphonic Dances op. 45 (1940)
Programme 2
Johannes Brahms : Concerto for Piano and Orchestra No. 1 in D minor op. 15
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Felix Mendelssohn Bartholdy : Symphony No. 3 in A minor op. 56 (‘Scottish’)
The Royal Scottish National Orchestra is one of Europe's leading symphony orchestras. Formed in 1891 as the Scottish Orchestra, the company became the Scottish National Orchestra in 1950, and was awarded Royal Patronage in 1977. Many renowned conductors have contributed to its success, including Sir John Barbirolli, Walter Susskind, Sir Alexander Gibson, Neeme Järvi, Walter Weller, Alexander Lazarev and Stéphane Denève.
The Orchestra’s artistic team is led by Danish conductor Thomas Søndergård, who was appointed RSNO Music Director in 2018. The RSNO is supported by the Scottish Government and is one of the Scottish National Performing Companies. The Orchestra performs across Scotland, including concerts in Glasgow, Edinburgh, Dundee, Aberdeen, Perth and Inverness and appears regularly at the Edinburgh International Festival and the BBC Proms. The RSNO has made recent tours to the USA, China and Europe.
The RSNO has a worldwide reputation for the quality of its recordings, receiving a 2020 Gramophone Classical Music Award for Chopin’s Piano Concertos (soloist: Benjamin Grosvenor), conducted by Elim Chan, two Diapason d’or awards (Denève/Roussel 2007; Denève/Debussy 2012) and eight GRAMMY Award nominations. Over 200 releases are available, including Thomas Søndergård conducting Strauss (Ein Heldenleben, Der Rosenkavalier Suite) and Prokofiev (Symphonies Nos.1 &5), two discs of African American Voices featur ing the music of George Walker, William Levi Dawson, Margaret Bonds and more, conducted by Kellen Gray; the complete symphonies of Sibelius (Gibson), Prokofiev (Järvi), Bruckner (Tintner) and Roussel (Denève), as well as further discs championing the music of William Grant Still (Eisenberg), Xiaogang Ye (Serebrier) and Thomas Wilson (Macdonald).
The RSNO’s Engagement strategy, Music for Life, sees the Orchestra work with schools and community groups, connecting its music with the people of Scotland. Since March 2020, the RSNO has created multiple online Engagement programmes and Digital Seasons, ensuring the RSNO continues to bring world - class music to its audiences in Scotland and around the world on stage and on screen.
A KD SCHMID touring orchestra.
SEASON 2023/2024
Thomas Søndergård © Ole Kaland
Music Director, Royal Scottish National Orchestra
Music Director, Minnesota Orchestra
Danish conductor Thomas Søndergård is the Music Director of the Minnesota Orchestra, as well as the Music Director of the Royal Scottish National Orchestra, following six seasons as their Principal Guest Conductor. Between 2012 and 2018, he served as Principal Conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.
He has appeared with many notable orchestras in leading European centres, such as Berlin (including Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra, Konzerthausorchester Berlin), Munich (Symphonieorchester des Bayerischen Rundfunk), Zurich (Tonhalle-Orchester Zürich), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic) and is a familiar figure in Scandinavia, with such orchestras as Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. North American appearances to date have included the symphony orchestras of New York, Chicago, Cleveland, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has also made highly successful tours to China, Korea, Australia and New Zealand.
With the Minnesota Orchestra in 2024/25, Thomas leads a diverse range of programmes, including a Nordic Composers Festival, concert performances of Puccini's Turandot, and projects with leading soloists such as Yunchan Lim, Isabelle Faust, Julia Bullock and Bruce Liu. Highlights with the RSNO this season include Mahler's epic Symphony No. 2, a collaboration with Dunedin Consort, and closing the season with a celebration of the music of Dmitri Shostakovich. Other highlights for Thomas this season include his returns to Deutsche Oper Berlin (Elektra), Den Norske Opera (Peer Gynt), and the City of Birmingham Symphony Orchestra. Thomas will also lead a project with the Aarhus Symfoniorkester celebrating the 750th anniversary of the city of Holstebro - his home city.
As part of the 2015 anniversary celebrations of both Sibelius and Nielsen, he conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Carl Nielsen, his performances with the Swedish Radio Symphony of his Symphony No. 5 was praised as “equal of the great pioneers of Nielsen interpretation… It’s hard to imagine a finer performance of this remarkable symphony.” (Dagens Nyheter); and in 2019 participated in a special concert to celebrate Nielsen’s works with the Royal Danish Academy of Music Copenhagen.
Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has since returned regularly to conduct a broad repertoire, including Die Walküre, which won the 2022 Reumert Award for Best Opera Production, Elektra, Le nozze di Figaro, Il barbiere di Siviglia, La bohème, Cunning Little Vixen, Il viaggio a Reims; and has also made short concert tours with the Royal Danish Orchestra. He has also enjoyed successful collaborations with Norwegian Opera and Royal Swedish Opera. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with her and he most recently returned to for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the World premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet.
His discography covers a broad range of contemporary and mainstream repertoire, including Carl Nielsen (The Royal Danish Orchestra, Naxos Records), Poul Ruders (Arhus Symphony, Norwegian Radio, Royal Danish Opera (Kafka’s Trial) for Da Capo and Bridge Records); Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Richard Strauss with RSNO for Linn Records; Lutoslawski and Dutilleux concertos with ‘cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (Pentatone); and Vilde Frang’s celebrated debut recording (WDR Koln for EMI).
In October 2023, Thomas was a recipient of the Carl Nielsen and Anne-Marie Carl Nielsen’s Foundation award for his outstanding contribution to Danish musical life. In January 2022, Thomas was decorated with a prestigious Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark.
SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF ASKONAS HOLT
Francesco Piemontesi © Marco Borggreve
Swiss-Italian pianist Francesco Piemontesi, a native of Locarno, has over the years gained a reputation as one of the leading interpreters of the German classical and romantic repertoire. He appears as a regular guest with many of the world’s leading orchestras, in concert halls and music festivals around the globe, while still being firmly anchored on the shores of Lago Maggiore as Artistic Director of the music festival Settimane Musicali di Ascona.
With his subtle but mesmerizing interpretations of Schubert’s piano sonatas as well as the solo works and piano concertos of Mozart, Beethoven, Brahms and Liszt, he has been acclaimed internationally by critics and audiences alike. His playing is characterized by sensitivity, intimacy and poetry, but also by power and brilliance. Above all, it is important to him to illuminate the scores from within: “Making music is like a second language for me. It feels like an existential necessity. I don’t want to entertain the audience, I want to let them participate in the deep dimensions of music.”
Highlights of the 2024/25 season include appearances at the BBC Proms, an extensive tour with the Orchestra dell'Accademia Nazionale di Santa Cecilia, performing Mozart’s concerto for two pianos KV 365 with Jan Lisiecki under the direction of Gianandrea Noseda. The tour features a special appearance by the orchestra in Locarno, where Piemontesi continues to hold the position Artistic Director of the Settimane Musicali di Ascona. Further ahead, Piemontesi appears with the Filarmonica della Scala, also conducted by Noseda, L’Orchestra Sinfonica Nazionale della Rai, Gewandhausorchester under Manfred Honeck, and returns to the Frankfurt Radio Symphony and SWR Symphonieorchester. Further engagements include returns to the NDR Elbphilharmonie Orchester, NHK, Chicago and Pittsburgh Symphony Orchestra, The Cleveland Orchestra, San Francisco Symphony, Budapest Festival Orchestra and London Philharmonic Orchestra with Robin Ticciati, as well as the Helsinki Philharmonic. In recital, Piemontesi appears at Auditorium Lyon, Rudolfinum/Dvořák Hall, Tonhalle Zürich, and La Chaux-de-Fonds, to mention just a few.
In addition to the classical and romantic periods, Francesco Piemontesi’s wider repertoire includes works by Bach and Handel in original versions and transcriptions, piano concertos by Ravel, Debussy, Bartók, Rachmaninov and Schönberg, as well as works by Olivier Messiaen and Unsuk Chin. Among his many important musical influences, he highlights his distinguished teachers Arie Vardi and Alfred Brendel, but above all French concert pianist Cécile Ousset. It is to her that he owes his rounded tone and a somnambulistic technique that is rooted in the French piano tradition going back to Marcel Ciampi.
Francesco Piemontesi’s musical artistry is documented on numerous recordings that have received awards and critical acclaim, such as Schubert’s last Piano Sonatas, Debussy’s Preludes and Mozart’s Piano Concertos with the Scottish Chamber Orchestra conducted by Andrew Manze. His latest release on Pentatone is dedicated to two of the most demanding pieces of piano literature: Liszt’s Transcendental Etudes and B minor Sonata.
Working with fellow musicians and orchestras alike, Francesco Piemontesi’s collaborations form themselves from the nucleus of friendship, appreciation and creativity. He recently has been Artist in Residence with the Orchestre de la Suisse Romande, Dresden Philharmonic and Gstaad Menuhin Festival. A long-standing relationship links him to the Schubertiade Festival and London’s Wigmore Hall. As adept on the concert stage as he is in smaller chamber combinations, Francesco Piemontesi appears with a variety of partners including Renaud Capuçon, Leonidas Kavakos, Martha Argerich, Janine Jansen, Daniel Müller-Schott, Augustin Hadelich and Jörg Widmann.
As a soloist, he has played alongside leading orchestras such as Berlin, New York and Los Angeles Philharmonic, Orchestre de Paris, Symphonieorchester des Bayerischen Rundfunks Munich, the Chicago, Boston and London Symphony orchestras, as well as the Tonhalle-Orchester Zürich, Swedish, Danish National and Finnish Radio Symphony Orchestras. He regularly collaborates with distinguished conductors such as Fabio Luisi, Antonio Pappano, Daniele Gatti, Lorenzo Viotti, Robin Ticciati, Iván Fischer, Mirga Gražinytė-Tyla, Marek Janowski, Joana Mallwitz, Thomas Søndergård, Daniel Harding, Paavo Järvi, Zubin Mehta and Nathalie Stutzmann.
Francesco Piemontesi travels the world and has appeared in many prestigious venues including Concertgebouw Amsterdam, Carnegie Hall and Avery Fisher Hall New York and Elbphilharmonie Hamburg. As a welcomed guest he was featured in the festivals of Salzburg, Edinburgh, Aix-en-Provence, Lucerne, Verbier and Schleswig-Holstein as well as in La Roque d’Anthéron, New York Mostly Mozart and Klavierfestival Ruhr.
SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF HARRISON PARROTT
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