London Symphony Orchestra © John Davis

Symphony

London Symphony Orchestra

30.05.25 - 07.06.25

about the tour.

The London Symphony Orchestra on Europe tour under the baton of Music Director Sir Antonio Pappano.


Programm 1:
Hector Berlioz: Der Korsar (Le Corsaire) op. 21 - Ouverture

Karol Szymanowski: Violinkonzert Nr. 1 op. 35 (1916)

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Hector Berlioz: Symphonie fantastique op. 14 (Episoden aus dem Leben eines Künstlers)


Programm 2:
Richard Strauss: Till Eulenspiegels lustige Streiche op. 28 (1895)

Wolfgang Amadeus Mozart: Konzert für Violine und Orchester Nr. 5 A-Dur KV 219

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Richard Strauss: Ein Heldenleben - Sinfonische Dichtung op. 40


Programm 3:
Hector Berlioz: Der Korsar (Le Corsaire) op. 21 - Ouverture

Pierre Boulez: Livre pour cordes (1968) - version pour orchestre à cordes des sections Ia et Ib du Livre pour quatuor

Pierre Boulez: "Mémoriale" (1985/1993) für Flöte und 8 Instrumente

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Hector Berlioz: Symphonie fantastique op. 14 (Episoden aus dem Leben eines Künstlers)

 

Dates.

01.06.2025

Kölner Philharmonie

Köln

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02.06.2025

Alte Oper Frankfurt

Frankfurt

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03.06.2025

Heidelberg Congress Center

Heidelberg

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04.06.2025

Elbphilharmonie

Hamburg

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05.06.2025

Elbphilharmonie

Hamburg

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06.06.2025

Festspielhaus und Festspiele Baden-Baden gGmbH

Baden-Baden

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Your contact persons:

Joric Brandon Pretzel

Director

+49 163 36607-17

joric.pretzel@kdschmid.de

Christoph Drescher

Managing Director

christoph.drescher@kdschmid.de

An Orchestra full of experience.

Biography – about the orchestra.

The London Symphony Orchestra believes that extraordinary music should be available to everyone, everywhere – from orchestral fans in the concert hall to first-time listeners all over the world.

The LSO was established in 1904 as one of the first orchestras shaped by its musicians. Since then, generations of remarkable talents have built the LSO’s reputation for quality, daring, ambition and a commitment to sharing the joy of music with everyone. Today, the LSO is ranked among the world’s top orchestras, reaching tens of thousands of people in London, more on stages around the world, and millions through streaming, downloads, radio and television.


As Resident Orchestra at the Barbican since the Centre opened in 1982, the LSO performs some 70 concerts there every year with its family of artists: Chief Conductor Sir Antonio Pappano, Conductor Emeritus Sir Simon Rattle, Principal Guest Conductors Gianandrea Noseda and François-Xavier Roth, Conductor Laureate Michael Tilson Thomas, and Associate Artists Barbara Hannigan and André J Thomas. The LSO has major artistic residencies in Paris, Tokyo and at the Aix-en-Provence Festival, and a growing presence across Australasia.

Through LSO Discovery, the LSO’s learning and community programme, 60,000 people each year experience the transformative power of music, in person, on tour and online. The Orchestra’s musicians are at the heart of this unique programme, leading workshops, mentoring bright young talent, working with emerging composers, visiting children’s hospitals, performing at free concerts for the local community and using music to support neurodiverse adults. Concerts for schools and families introduce children to music and the instruments of the Orchestra, with an ever-growing range of digital resources and training programmes supporting teachers in the classroom.

The ambition of LSO Discovery is to share inspiring, inclusive opportunities with performers, creators and listeners of all ages. The home of much of this work is LSO St Luke’s, the LSO’s venue on Old Street. In 2025, following a programme of works, the LSO will be opening up the venue’s unique facilities to more people than ever before, with new state-of-the-art recording facilities and dedicated spaces for LSO Discovery’s programme.

The LSO’s record label LSO Live celebrates its 25th anniversary in 2024/25, and is a leader among orchestra-owned labels, bringing to life the excitement of a live performance. The catalogue of over 200 acclaimed recordings reflects the artistic priorities of the Orchestra – from popular new releases, such as Janáček’s 'Katya Kabanova' with Sir Simon Rattle, to favourites like Vaughan Williams’ Symphonies with Sir Antonio Pappano and Verdi’s Requiem with Gianandrea Noseda.

As a leading orchestra for film, the Orchestra has entertained millions with its recordings of classic scores. From epic film scores like 'Star Wars' and an appearance in the Oscar-nominated film 'Maestro', to the trailblazing video game franchise 'Final Fantasy', the LSO’s collaborations have taken the Orchestra’s music-making out of the concert hall and reached new communities of listeners.

Throughout its history, LSO Live has always been at the forefront of digital recording, sharing the LSO’s performances with millions of people around the world every month through streaming services, digital partnerships and an extensive programme of live-streamed and on-demand online broadcasts.

SEASON 2024/2025

Dirigent/-in

Antonio Pappano

Antonio Pappano © Musaccio and Ianniello

One of today’s most sought-after conductors, acclaimed for his charismatic leadership and inspirational performances in both symphonic and operatic repertoire, Sir Antonio Pappano is Chief Conductor of the London Symphony Orchestra and was Music Director of the Royal Opera House Covent Garden from 2002 until 2024. He is Music Director Emeritus of the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, having served as Music Director from 2005-2023. Nurtured as a pianist, repetiteur and assistant conductor at many of the most important opera houses of Europe and North America, including at the Lyric Opera of Chicago and several seasons at the Bayreuth Festival as musical assistant to Daniel Barenboim, Pappano was appointed Music Director of Oslo’s Den Norske Opera in 1990, and from 1992-2002 served as Music Director of the Théâtre Royal de la Monnaie in Brussels. From 1997-1999 he was Principal Guest Conductor of the Israel Philharmonic Orchestra.

Pappano is in demand as an opera conductor at the highest international level, including with the Metropolitan Opera New York, the State Operas of Vienna and Berlin, the Bayreuth and Salzburg Festivals, Lyric Opera of Chicago and the Teatro alla Scala, and has appeared as a guest conductor with many of the world’s most prestigious orchestras, including the Berlin and Vienna Philharmonic Orchestras, the Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Bavarian Radio, the Czech Philharmonic Orchestra, the Orchestre de Paris and the Royal Concertgebouw Orchestra, as well as the New York Philharmonic Orchestra, Chicago and Boston Symphonies, the Philadelphia and Cleveland Orchestras. He maintains a particularly strong relationship with the Chamber Orchestra of Europe.

 


Highlights of the 2024/25 season and beyond include return visits to Boston Symphony, the Chamber Orchestra of Europe, the Royal Concertgebouw Orchestra, the Gewandhausorchester Leipzig and a new production of 'Die Walkure' at the Royal Opera House. In his first season as Chief Conductor of the London Symphony, Pappano takes the orchestra on a wide-ranging touring to the USA, including Carnegie Hall, Japan, Korea, China and across major European capitals and festivals. This collaboration also includes flagship concerts at London’s Barbican Centre with concertante performances of Puccini’s 'La rondine' and Strauss’ opera 'Salome', and symphonic repertoire including Mahler’s and Walton’s first symphonies, Holst’s 'Planets', Strauss’ 'Ein Heldenleben', Tippett’s 'A Child Of Our Time' and Vaughan Williams' first and ninth symphonies in the continuation of Pappano’s Vaughan Williams recording cycle for LSO Live.

Pappano has been an exclusive recording artist for Warner Classics (formerly EMI Classics) since 1995, and his discography features numerous complete operas, including Don Carlo, La Rondine, Guillaume Tell, Il Trittico, Werther, Il Trovatore, Tristan und Isolde, and Aida. 2022 saw the release on Sony Classical of Verdi’s Otello, and a disc of Verdi duets with Jonas Kaufmann and Ludovic Tezier, and Vaughan William’s 4th and 6th symphonies for LSO Live, and in 2023 Warner released the first studio recording of Puccini's Turandot with the complete conclusion by Alfano, recorded in Rome with Accademia Nazionale di Santa Cecilia.

Pappano’s orchestral recordings with the Accademia Nazionale di Santa Cecilia include Strauss’s Ein Heldenleben, Rachmaninov’s 2nd, Mahler’s 6th, Dvorak’s 9th and Tchaikovsky’s 4th, 5th and 6th symphonies, Respighi’s Roman Trilogy, Rossini’s Stabat Mater, Petite Messe Solenelle and selected Overtures, Britten’s War Requiem, and Verdi’s Requiem, and his discography also documents his work with other ensembles including the London Symphony and Berlin Philharmonic Orchestras, and the orchestras of the Royal Opera House and the Théâtre Royal de la Monnaie, in music ranging from Pergolesi and Mendelssohn through to Panufnik,  Boesmans and Maxwell Davies. Numerous productions from the Royal Opera House have been released on DVD, including Carmen, Les Troyens, Parsifal, Simon Boccanegra, Le nozze di Figaro, and Manon Lescaut. His recordings have received extensive accolades including Classic BRIT, ECHO Klassik, BBC Music Magazine and Gramophone Awards.

As a pianist, Antonio Pappano appears as an accompanist with some of the most celebrated singers, including Joyce DiDonato, Diana Damrau, Gerald Finley and Ian Bostridge. He has also partnered singers and instrumental soloists on disc, including in operatic recitals with Nina Stemme, Placido Domingo, Anna Netrebko and Jonas Kaufmann, concerto recordings with soloists including Leif Ove Andsnes, Maxim Vengerov, Janine Jansen, Jan Lisiecki and Beatrice Rana, and chamber recitals with Ian Bostridge, Barbara Bonney and Joyce DiDonato. He has a strong commitment to nurturing young singers and instrumentalists, close connections with the Aldeburgh and Verbier Festivals, leading concerts and masterclasses.

Antonio Pappano was born in London to Italian parents and moved with his family to the United States at the age of 13. He studied piano with Norma Verrilli, composition with Arnold Franchetti and conducting with Gustav Meier. His awards and honours include Gramophone’s ‘Artist of the Year’ in 2000, the 2003 Olivier Award for Outstanding Achievement in Opera, the 2004 Royal Philharmonic Society Music Award, and the Bruno Walter prize from the Académie du Disque Lyrique in Paris. In 2012 he was created a Cavaliere di Gran Croce of the Republic of Italy, and a Knight of the British Empire for his services to music, and in 2015 he was named the 100th recipient of the Royal Philharmonic Society’s Gold Medal, the body’s highest honour. He has also developed a notable career as a speaker and presenter and has fronted several critically-acclaimed BBC Television documentaries including ‘Opera Italia’, ‘Pappano’s Essential Ring Cycle’ and ‘Pappano’s Classical Voices’.

SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF IMG ARTISTS.

Solist/-in

Lisa Batiashvili, Violin

Lisa Batiashvili © Andre Josselin

Lisa Batiashvili, the Georgian-born German violinist, is praised by audiences and fellow musicians for her virtuosity. An award-winning artist, she has developed long-standing relationships with the world’s leading orchestras, conductors and musicians.

In 2021 Batiashvili formed and continues to lead the Lisa Batiashvili Foundation, which serves her lifelong dream and commitment in supporting young, highly talented Georgian musicians to thrive in their musical careers.

Following her time as resident artist of the Berliner Philharmoniker, she is now looking forward to an exciting 2024/25 season! Starting with appearances at the Lucerne Festival, including the Orchestre de Paris (Klaus Mäkelä), extended tours with the Tonhalle Orchestra Zurich (Paavo Järvi), the Royal Concertgebouw Orchestra Amsterdam (Klaus Mäkelä), the Orchestra dell'Accademia Nazionale di Santa Cecilia (Daniel Harding) and the London Symphony Orchestra (Antonio Pappano) will follow. She also returns to the Los Angeles Philharmonic (Robin Ticciati), New York Philharmonic (Ivan Fischer) and the National Symphony Orchestra (Gianandrea Noseda), among others.


She gives concerts with Giorgi Gigashvili and Tsotne Zedginidze, two talented young Georgian pianists and composers who are supported by her foundation.

In summer 2025, Lisa Batiashvili returns to the stage with pianist Jean-Yves Thibaudet and cellist Gautier Capuçon.

Recording exclusively for Deutsche Grammophon, Batiashvili’s latest album „Secret Love Letters“ was released in August 2022, with Yannick Nézet-Séguin and The Philadelphia Orchestra, as well as Franck Sonata with Giorgi Gigashvili.

Her previous 2020 recording, „City Lights“, marks a musical journey that takes listeners around the world to eleven cities with an autobiographical connection with music ranging from Bach to Morricone, and Dvořák to Charlie Chaplin. A twelfth city was added in 2022 with the release of her single „Desafinado“, celebrating Rio de Janeiro. At the renowned Concert de Paris on Bastille Day in 2020 she performed the title track „City Memories“ which was broadcast internationally.

An impressive discography also includes Visions of Prokofiev (Chamber Orchestra of Europe/Yannick Nézet-Séguin) which won an Opus Klassik Award and was shortlisted for the 2018 Gramophone Awards. Earlier recordings include the concertos of Tchaikovsky and Sibelius (Staatskapelle Berlin/Daniel Barenboim), Brahms (Staatskapelle Dresden/Christian Thielemann), and Shostakovich (Symphonieorchester des Bayerischen Rundfunks/Esa-Pekka Salonen).

Bastiashvili has had DVD releases of live performances with Berliner Philharmoniker/Yannick Nézet-Séguin (Bartók’s Violin Concerto No.1) and with Gautier Capuçon, Sächsische Staatskapelle Dresden and Christian Thielemann (Brahms’ Concerto for Violin and Cello).

She has won a number of awards: the MIDEM Classical Award, Choc de l’année, Accademia Musicale Chigiana International Prize, Schleswig-Holstein Music Festival’s Leonard Bernstein Award and Beethoven-Ring. Batiashvili was named Musical America’s Instrumentalist of the Year in 2015, was nominated as Gramophone’s Artist of the Year in 2017, and in 2018 was awarded an Honorary Doctorate from the Sibelius Academy (University of Arts, Helsinki).

Lisa was also Artistic Director of Audi Sommerkonzerte Ingolstadt for 4 years between 2019 and 2022. In 2025, she is honoured with the Kaiser Otto Prize of the city of Magedburg for her commitment against war and anti-semitism and for promoting the European idea.

Lisa lives in Berlin and plays a Joseph Guarneri “del Gesu” from 1739, generously loaned by a private collector.

SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF IMPRESARIAT SIMMENAUER.

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+49 163 36607-02

mariana.mielke@kdschmid.de