Gewandhausorchester & Andris Nelsons © Jens Gerber

Symphony

Gewandhausorchester Leipzig

12.11.25 - 26.11.25

about the tour.

 

Your contact persons:

Huw Humphreys

Senior Creative Director

+44 20739509-38

huw.humphreys@kdschmid.co.uk

Olivia Maha Al-Slaiman

Associate Project Manager

+49 151 14487868

olivia.al-slaiman@kdschmid.de

An Orchestra full of experience.

Biography – about the orchestra.

The Gewandhausorchester is the oldest civic symphony orchestra in the world. The enterprise was founded in 1743 by a group of 16 musical philanthropists – representatives of the nobility as well as regular citizens - forming a concert society by the name of Das Große Concert. On taking residence in the trading house of the city's textile merchants (the 'Gewandhaus') in 1781, the ensemble assumed the name Gewandhausorchester. Many celebrated musicians have been appointed to the office of Gewandhauskapellmeister (Music Director and Principal Conductor), including Johann Adam Hiller, Felix Mendelssohn Bartholdy, Arthur Nikisch, Kurt Masur, Herbert Blomstedt and Riccardo Chailly. Andris Nelsons assumed the position of 21st Gewandhauskapellmeister in September 2018. The Gewandhausorchester´s unique contribution to Europe´s historical and current musical wealth has been recognized with the award of the European Cultural Heritage Label.

Music lovers worldwide revere the highly individual sound palette that distinguishes the Gewandhausorchester from all other symphony orchestras. This unique sound identity, along with the extraordinarily rich diversity of the repertoire which the Gewandhausorchester performs, is cultivated in over 250 performances each year in the Orchestra's three 'homes': as symphony orchestra in the Gewandhaus, orchestra of the Leipzig Opera and orchestra for the weekly performances of the cantatas of Johann Sebastian Bach with the Thomanerchor in St. Thomas's Church. No other elite symphony orchestra dedicates itself so intensively to the performance of the music of J.S. Bach. The Gewandhausorchester has toured the globe on a regular basis since 1916 and records extensively for the media of radio, television, CD and DVD.


Few other ensembles have exerted such significant and enduring influence on the development of the symphonic music tradition as the Gewandhausorchester. Throughout its history, the orchestra has consistently attracted the collaborative energies of the world's most eminent composers, conductors and soloists. The Gewandhausorchester performed a complete cycle of the symphonies of Beethoven during his lifetime (1825/26), as well as the first ever cycle of Bruckner's symphonies to be mounted (1919/20). Wagner's Prelude to Die Meistersinger von Nürnberg, Beethoven's 5th Piano Concerto Emperor, Brahms' Violin Concerto and Deutsches Requiem and Bruckner's 7th Symphony are just a fraction of the wealth of the core symphonic repertoire to be given its first performance by the Gewandhausorchester. The orchestra commissions and premieres new works every season to this day.

A decisive contribution to the development of the symphonic repertoire must be attributed to the celebrated Gewandhauskapellmeister, Felix Mendelssohn Bartholdy. During his tenure from 1835 until 1847, he presided over the first performances of numerous works from his own pen, for instance the Violin Concerto, the Scottish Symphony and his Overture to Ruy Blas, as well as the world premieres of many works of other composers, including Schubert's C major Symphony The Great and Schumann's 1st, 2nd and 4th symphonies. Through the introduction of new programming concepts - highly innovative for the time - Mendelssohn sharpened the Gewandhaus audiences' awareness of the music of times past, most notably reviving the performance of the orchestral oeuvre of J.S. Bach.

It was on Mendelssohn's initiative that Germany's first conservatoire was founded, in Leipzig, in 1843 - the modern-day University of Music and Theatre Felix Mendelssohn Bartholdy (UMT). Following the principles established by Mendelssohn himself, the Gewandhausorchester and the UMT have collaborated since 2004 in the form of the Mendelssohn Orchestra Academy (MOA), offering the most talented young musicians the opportunity to hone their skills to the level required by the world's elite orchestras. During the two-year training programme, members of the MOA receive individual tuition, coaching and mentoring from musicians of the Gewandhausorchester and from professors of the UMT. They hone their practical skills through regular active participation in concerts both at the Gewandhaus and on tour, in performances at the Leipzig Opera, at St Thomas’s Church, as well as in an intensive programme of chamber music. This enables the young musicians to acquire a diverse repertoire and gain invaluable experience for their future careers. In the 2024/2025 season, the Gewandhausorchester will celebrate the 20th anniversary of the founding of the MOA. Members of the MOA and of the Gewandhausorchester will perform a gala concert which will open the Mendelssohn Festival 2024. The MOA will also play a decisive role in the Shostakovich Festival 2025, as part of the Festival Orchestra for three symphonic concerts, as well as in chamber concerts taking place at the UMT and at the Mendelssohn House.

Recordings by the Gewandhausorchester

The CD productions released by the Gewandhausorchester have been decorated with a plethora of international record awards, including a Golden Disc. Under the direction of Riccardo Chailly, the Decca label produced a complete cycle of Beethoven's symphonies and nine of his overtures (CD, 2007-2009) and a cycle of Brahms' symphonies (CD, 2012-2013). Riccardo Chailly also led the Orchestra in numerous acclaimed DVD recordings of the symphonies of Gustav Mahler (accentus music, 2011-2015).

To mark the occasion of Herbert Blomstedt's 90th birthday in July 2017, a new complete cycle of Beethoven's symphonic oeuvre conducted by the Gewandhausorchester's Conductor Laureate was released by accentus music. In July 2022. shortly before Herbert Blomstedt’s 95th birthday, the first disc of a complete cycle of the symphonies of Franz Schubert was released (symphonies 8 & 9, Deutsche Grammophon). 2022 also saw the release of the third and final disc of Herbert Blomstedt’s Brahms symphony cycle, coupled with the Tragic Overture, op. 81 and the Academic Festival Overture, op. 80 (Pentatone).

Andris Nelsons, the 21st Gewandhauskapellmeister, has led the orchestra in DVD recordings on the accentus music label of Antonín Dvořák's 9th Symphony From the New World (released in February 2018), Alban Berg's Violin Concerto coupled with Felix Mendelssohn Bartholdy's Scottish Symphony (released in August 2018), and Peter Tchaikovsky’s 6th (February 2019) and 5th symphonies (February 2020).

On the occasion of Sofia Gubaidulina's 90th birthday in October 2021, Deutsche Grammophon released a CD with world premiere recordings of Der Zorn Gottes, Das Licht des Endes and the violin concerto No. 3 Dialog: Ich und Du (Vadim Repin, violin) under the baton of Andris Nelsons. In May 2022, a seven-CD box set of symphonic works by Richard Strauss, recorded by the Gewandhausorchester and the Boston Symphony Orchestra, of which Andris Nelsons is also Music Director, was released by Deutsche Grammophon.

Under the baton of Franz-Welser Möst, the Gewandhausorchester can be heard together with pianist Igor Levit in Tristan - Préludes for piano, tapes and orchestra of Hans Werner Henze (Sony Classic 09/2022).

In 2022 Andris Nelsons and the Gewandhausorchester completed the cycle of the symphonies of Anton Bruckner, produced on CD by Deutsche Grammophon. In 2023, the CDs of the cycle were released as a box set, including a recording of the Symphony No. 0, which will appear on CD for the first time played by the Gewandhausorchester.

February 2023 saw the re-release of the complete cycle of Bruckner’s symphonies under the baton of Herbert Blomstedt, Conductor Laureate of the Gewandhausorchester. The recordings, made between 2005 and 2012, have been considered reference performances ever since their initial release ten years ago (accentus music).

In spring 2024, the Gewandhausorchester and Andris Nelsons, together with Lang Lang and his wife, Gina Alice, released the album Saint-Saëns, featuring Saint-Saëns’ Carnival of the Animals in the version for two pianos and orchestra and his Piano Concerto No. 2 in G minor.

A touring orchestra of KD SCHMID.

SEASON 2024/2025 - THIS BIOGRAPHY IS AVAILABLE BY COURTESY OF GEWANDHAUSORCHESTER LEIPZIG.

Dirigent/-in

Andris Nelsons

Andris Nelsons © Jens Gerber

Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most sought-after conductors in the world today.

Nelsons' positions in Boston and Leipzig commenced in the 2014/15 season and February 2018, respectively. In Autumn 2019, Nelsons, the Boston Symphony Orchestra, and the Gewandhausorchester Leipzig came together for three joint performances at Boston’s Symphony Hall. This ground-breaking alliance has since led to co-commissions, musician exchanges, and educational collaborations. In May 2025, the partnership will celebrate a further milestone when the Boston Symphony Orchestra joins the Gewandhausorchester for the Shostakovich Festival Leipzig, a comprehensive and globally unique celebration of the composer’s music, marking the 50th anniversary of his death. Nelsons will conduct two performances of “Lady Macbeth of the Mtsensk District” and all major Shostakovich symphonies, including a joint performance of the “Leningrad” Symphony No. 7, featuring musicians from both orchestras. As part of the festival, Nelsons will also conduct the newly created Festival Orchestra made up of young musicians from the Mendelssohn-Akademie Leipzig and the Tanglewood Music Center, an educational institution which Nelsons has been leading as Head of Conducting since 2024.


Nelsons and the Gewandhausorchester Leipzig will begin their 2024/25 season with a European tour, returning, among others, to the Lucerne Festival, and culminating in the season opening at the Gewandhaus. A further tour in February and March 2025 will feature celebrated soloist duo Lucas & Arthur Jussen in concerts across Europe. Nelsons will conduct contemporary works by Gewandhauskomponist Thomas Adès, as well as new commissions by the Boston Symphony Orchestra’s inaugural composer chair, Carlos Simon. The season in Boston, which marks Nelsons' 10th anniversary as Music Director of the Boston Symphony Orchestra, will include a complete Beethoven symphony cycle, a residency at Carnegie Hall in New York, and a European tour to Riga, Vienna, Prague and Leipzig with all-Shostakovich programmes. Nelsons will also resume his guest appearances, including a four-week Asia tour with the Wiener Philharmoniker, consisting of 22 concerts in 10 cities across South Korea, China, and Japan. The tour will also feature several world-renowned soloists – including frequent collaborator Seong-Jin Cho. Andris Nelsons will further mark his return to the Berliner Philharmoniker in December with performances of Bruckner’s eighth symphony.

Andris Nelsons is an exclusive recording artist with Deutsche Grammophon, a partnership which has resulted in various landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. Nelsons and the Boston Symphony Orchestra partner on recordings of the complete Shostakovich symphonies and the opera “Lady Macbeth of the Mtsensk District” – a cycle which has garnered four GRAMMY awards in the categories Best Orchestral Performance and Best Engineered Album. Furthermore, Nelsons and the Gewandhausorchester Leipzig recently concluded a critically acclaimed Bruckner symphonic cycle in celebration of the composer’s 200th birthday. Nelsons’ recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker were released in October 2019. As part of the alliance between the Boston Symphony Orchestra and the Gewandhausorchester Leipzig, Deutsche Grammophon produced a celebrated 2022 release of Richard Strauss’ major symphonic works performed by both orchestras.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.

SEASON 2024/2025

Solist/-in

Seong-Jin Cho, Piano

Seong-Jin Cho © Christoph Koestlin, DG

Seong-Jin Cho has established himself worldwide as one of the leading pianists of his generation and most distinctive artists on the current music scene. With an innate musicality and consummate artistry, his thoughtful and poetic, virtuosic, and colourful playing can combine panache with purity and is driven by an impressive natural sense of balance. He is celebrated unanimously across the globe for his expressive magic and illuminative insights.

Seong-Jin Cho was brought to the world’s attention in 2015 when he won First Prize at the Chopin International Competition in Warsaw, and his career has rapidly ascended since. In early 2016, he signed an exclusive contract with Deutsche Grammophon and, in 2023, Cho was awarded the prestigious Samsung Ho-Am Prize in the Arts in recognition of his exceptional contributions to the world of classical music. An artist high in demand, Cho works with the world's most prestigious orchestras including Berliner Philharmoniker, Wiener Philharmoniker, London Symphony Orchestra, Concertgebouworkest, and Boston Symphony Orchestra. Conductors he regularly collaborates with include Myung-Whun Chung, Gustavo Dudamel, Andris Nelsons, Yannick Nézet-Séguin, Gianandrea Noseda, Sir Antonio Pappano, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen, and Lahav Shani.
 



In the 2024/25 season Seong-Jin Cho takes up the mantle of Artist in Residence with the Berliner Philharmoniker, a position which sees Cho work with the orchestra on multiple projects across the season including concerto performances, chamber music collaborations, on tour to the Osterfestspiele Baden-Baden, and in recital. Elsewhere, he notably returns to London’s BBC Proms, to the Philadelphia Orchestra to open their season with Yannick Nézet-Séguin, to New York Philharmonic and Chicago Symphony Orchestra with Santtu-Matias Rouvali, and to The Cleveland Orchestra under Franz Welser-Möst. Cho embarks on several international tours, including his notable return to Wiener Philharmoniker with Andris Nelsons in Korea and to Symphonieorchester des Bayerischen Rundfunks with Sir Simon Rattle in Korea, Japan, and Taiwan, following a performance of Brahms Piano Concerto. No. 2 in Munich.

Highly sought after in recital, Seong-Jin Cho appears in the world’s most prestigious concert halls including the main stage of the Concertgebouw Amsterdam, Musikverein Wien, Alte Oper Frankfurt, KKL Luzern, Sala Santa Cecilia, Théâtre des Champs-Elysées, Rudolfinum, Suntory Hall Tokyo, Festival International de Piano de la Roque d'Anthéron, and Verbier Festival. During the coming season he will present the complete solo piano music of Maurice Ravel at venues including the Wiener Konzerthaus, Elbphilharmonie Hamburg, Barbican Centre London, Celebrity Series at Boston Symphony Hall, Walt Disney Hall Los Angeles, and Carnegie Hall.

Seong-Jin Cho's latest recording for Deutsche Grammophon celebrates Ravel’s 150th anniversary presenting the composer’s complete Solo Piano Works and Concerti, together with the Boston Symphony Orchestra and Andris Nelsons. The project marks Cho’s first immersion into a single composer’s complete works and is released throughout spring 2025. Previous releases include his solo album entitled ‘The Handel Project’ in early 2023, and Chopin’s Piano Concerto No. 2 and Scherzi with the London Symphony Orchestra and Gianandrea Noseda in 2021. He had previously recorded his first album with the same orchestra and conductor featuring Chopin’s Piano Concerto No. 1 as well as the Four Ballades. His solo album titled ‘The Wanderer’ was released in 2020 and features Schubert’s ‘Wanderer Fantasy’, Berg’s Piano Sonata op. 1, and Liszt’s Piano Sonata in B minor. A solo Debussy recital was also released in 2017, followed by a Mozart album with the Chamber Orchestra of Europe and Yannick Nézet-Séguin in 2018. All albums have been released on the Yellow Label and have garnered impressive critical acclaim worldwide.

Born in 1994 in Seoul, Seong-Jin Cho started learning the piano at the age of six and gave his first public recital aged 11. In 2009, he became the youngest-ever winner of Japan’s Hamamatsu International Piano Competition.

In 2011, he won Third Prize at the International Tchaikovsky Competition in Moscow at the age of 17. From 2012-2015 he studied with Michel Béroff at the Conservatoire National Supérieur de Musique et de Danse de Paris. Seong-Jin Cho is now based in Berlin.

SEASON 2024/2025

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