Kontakt
Tanja
Tetzlaff
Cello
Tanja Tetzlaff
Tanja Tetzlaff is recognised as one of the most influential cellists of her generation, both as a soloist and chamber musician. Her playing is distinguished by a uniquely refined, powerful and nuanced tone, always shaped by cultivated musicality. She is committed to going beyond traditional concert formats, integrating other art forms and engaging with social and ecological issues. In recognition of both her artistic work and her strong advocacy for climate protection, she was awarded the Duisburg Music Prize in 2024 and in 2021 she became a lifetime ambassador of “Orchester des Wandels”.
A central project of her climate advocacy is her 2021 film Suites for a Suffering World, realised with support from the Glenn Gould Bach Fellowship of the City of Weimar. The film frames Bach’s iconic Cello Suites as a reflection on nature’s beauty and its vulnerability in the face of climate change. It was screened in 2023 at the Vienna Rathaus Film Festival, Beethovenfest Bonn and Kronberg Festival, as well as in cinemas and on TV stations such as 3sat and NHK Japan. In October 2023, the film received the Opus Klassik Innovation Award for Sustainability.
While the core classical and romantic works for cello remain central to her artistry and programming, Tanja Tetzlaff’s repertoire reaches far into the music of the 20th and 21st centuries. In September 2022, she gave the world premiere of Olga Neuwirth’s Double Concerto for Cello and Percussion with the Trondheim Symphony Orchestra and percussionist Hans Kristian Kjos Sørensen. In the same year, she premiered Tõnu Kõrvits’s Double Concerto in Tallinn alongside her husband, violinist Florian Donderer.
Chamber music is a hallmark of her artistic life. A founding member of the Tetzlaff Quartett, she has performed with the ensemble worldwide since 1994. She also appears internationally in duo and trio formations with Florian Donderer. In addition, she is a member of the acclaimed Tetzlaff Trio with her brother Christian Tetzlaff and pianist Kiveli Dörken, who succeeded the late founding member Lars Vogt. The trio has released numerous award-winning recordings, including a Brahms album honoured with an International Classical Music Award (ICMA). Tanja Tetzlaff’s discography includes releases on Cavi, Ars, NEOS and Ondine, with works by Wolfgang Rihm, Ernst Toch and others. Her solo album featuring Bach Suites and works by Thorsten Encke was released in October 2019.
The 2025/26 season highlights the wide scope of her artistic interests, commencing with a recital at the Beethovenfest Bonn, followed by performances with the Tetzlaff Trio in Illertissen and Toronto. In Berlin’s Pierre Boulez Saal, she presents a duo programme of powerful contrasts, combining Shostakovich’s Cello Sonata with works by two female composers and a new composition for cello and tape written for her by Thorsten Encke.
With the Tetzlaff Quartett, she performs in Hannover, Birmingham, Freiburg and Blaibach. As a soloist, she appears with the Philharmonic Orchestra of Lübeck and later with the NHK Symphony Orchestra in Tokyo under Michael Sanderling. She also gives masterclasses in Italy and returns to the studio for new recordings with the Tetzlaff Trio. Her 2025 festival appearances include the Fairplay Festival, Spannungen Heimbach, where she is a core member, as well as concerts in Rottweil, Landshut and at the Molyvos International Music Festival.
SEASON 2025 / 2026
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News
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25.11.2024The Tetzlaff Quartett celebrates 30 years on stage
Press
"It was refreshing to hear Tanja Tetzlaff and Paavo Järvi give a moving and insightful account of the work [Schumann cello concerto] without resorting to unnecessary modification or embellishment. […] The pace of the outer movements was brisk and lively, and the soloist was eloquent and expressive. […] the soloist was goose pimple-inducing in her evocative treatment of the heavenly, beautiful melody."
Bachtrack, Alan Yu, 03.07.2017
"The players make declarations, pose questions, give answers, thrust and parry, chase each other, proceed in lockstep; there are moments of tender lyricism and of furious aggression – I’ve never seen string players subject their instruments to such apparently extreme maltreatment - but the Tetzlaffs encompassed it all with wit and impeccable virtuosity. This was a heroic performance."
Independent, Michael Church, 05.01.2016
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