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Alexandra

Dariescu

Piano

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Alexandra Dariescu

Alexandra Dariescu, the visionary pianist behind "The Nutcracker and I", brings fearless curiosity, innovation and artistic integrity to her programmes and performances. From cherished classics by Tchaikovsky, Grieg, Rachmaninov, Ravel and Chopin, to the rediscovered works of Clara Schumann, Nadia Boulanger, George Enescu and Doreen Carwithen, she stands out as a distinct and original voice on the international piano stage.

A sought-after soloist worldwide, Dariescu has forged strong ties with orchestras such as the BBC Symphony, Academy of St Martin in the Fields, Detroit Symphony and Melbourne Symphony. Eminent collaborations include the London Symphony Orchestra, Orchestre National de France, the London, Royal Stockholm, Oslo and Copenhagen Philharmonic Orchestras and the Sydney, Houston, Detroit, Seattle and Vancouver Symphonies. Among the renowned conductors Alexandra has worked with are Ádám Fischer, Cristian Măcelaru, Alain Altinoglu, Sakari Oramo, John Storgårds, Fabien Gabel, Vasily Petrenko, Ryan Bancroft, James Gaffigan, and JoAnn Falletta.

In the 2025/26 season, Alexandra performs with the Philharmonia Orchestra and Santtu-Matias Rouvali at the Enescu Festival in Bucharest, followed by season opening concerts in Tallinn with the Estonian National Symphony and Olari Elts, and in Belgium with the Brussels Philharmonic and Kazushi Ōno. These performances will feature the powerful “Fantasies” by Nadia Boulanger and George Enescu, alongside Clara Schumann’s piano concerto, a signature piece for Dariescu. New debuts include performances with the Pacific Symphony and Tianyi Lu in the US, as well as engagements in Scandinavia with the Malmö and Aalborg Symphony Orchestras. In the UK, Alexandra reunites with the Royal Philharmonic and Royal Liverpool Philharmonic Orchestras and makes her much-anticipated debut in the Southbank Centre’s Piano Recital Series. She will close the season in Poland with the Warsaw Philharmonic Orchestra under Krzysztof Urbański, followed by a UK tour, including performances in London and Birmingham.

In 2017, Dariescu took the world by storm with "The Nutcracker and I", a pioneering multimedia piano recital with dance and digital animation. It has since enjoyed international acclaim and drawn thousands of young audiences into concert halls across Europe, Australia, China, the Emirates, and the US, realising Dariescu’s vision of making classical music accessible to the wider public. The production’s 100 th performance was celebrated in November 2024 at the Barbican Centre, with recent notable presentations at Beijing’s NCPA, Paris’ La Seine Musicale, Konzerthaus Dortmund and the Megaron Athens Concert Hall.

A passionate advocate for inclusive repertoire, Alexandra Dariescu’s recent highlights include UK premieres of works by Dora Pejačević and Doreen Carwithen with the BBC Symphony Orchestra, and the world premiere of James Lee III’s "Shades of Unbroken Dreams", written for her, with the Detroit Symphony and BBC Philharmonic. She also recorded the newly discovered 1900 Piano Concerto by Leokadiya Kashperova for BBC Radio 3.

Deeply committed to education and cultural leadership, Dariescu co-created the educational concerts “Count Me In!” and “One Voice Above the Crowd” with conductor Tim Redmond, developed for the London Symphony Orchestra and the Leeds International Piano Competition. In 2024, she launched the Alexandra Dariescu Award, the first prize of its kind in the history of the Leeds Competition, recognising outstanding performances of works by female composers.

Dariescu has released nine albums to critical acclaim, the latest disc being the Clara Schumann and Grieg Piano Concertos with the Philharmonia Orchestra and Tianyi Lu. Her discography includes a Decca album with Angela Gheorghiu and Tchaikovsky’s Piano Concerto No. 1 with the Royal Philharmonic Orchestra.

Dariescu has been mentored by Sir András Schiff and Dame Imogen Cooper. In 2020, Dariescu received the Order 'Cultural Merit' in the rank of Knight by the Romanian President and became an Associated Member of the Royal Northern College of Music, where she also held the position of Professor of Piano for two years. From September 2024, Dariescu assumed the role of Professor of Piano at the Guildhall School of Music and Drama in London.

SEASON 2025 / 2026


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"Alexandra Dariescu delivered exactly what the audience craves: excellence, intimacy, mastery, virtuosity, sensitivity, and that rare gift of winning over the audience with a few clear, courteous, and measured words. She is an exceptional pianist who walks the line between the theatrical and the refined art of phrasing… for her, theatricality is not a pose, but a way of breathing; and authority stems not from gesture, but from inner conviction. She plays like someone who knows she is being heard, but also like someone who is listening. There is a mixture of courage and hospitality in the way she sits at the piano: she invites the audience into the music without diminishing or explaining it. "

Theodor Smeu Stermin, Mundo Clasico, 26 Jan 2026

"Pianist Alexandra Dariescu proved herself a true ambassador for Boulanger. Her playing emphasized the work's sensitivity, bringing the complexity of Boulanger's composition to life with great precision and emotional nuance. She understood that this music demands not virtuosity, but attunement, introspection, and trust. The Brussels Philharmonic accompanied Dariescu with velvety precision, and together they offered the audience a rare musical gift. With a dexterous and lively encore by Heitor Villa-Lobos, Dariescu once again demonstrated her mastery of the piano."

Klassiek-centraal, Werner De Smet, 28.09.2025

"Then it was onto the Piano Concerto by Doreen Carwithen; it launched with some severe, perpetual motion-machine energy, but the soloist, Romanian-born Alexandra Dariescu, made the onrush feel human and dance-like rather than mechanical. The concerto’s still centre was the slow movement, where soloist and orchestra conjured a mood of rapt contemplation. The final movement returned to energetic affirmation, but with more virtuoso flourishes which Dariescu flung off superbly."

The Telegraph, Ivan Hewitt, 11.04.2025

"Pianist Alexandra Dariescu was magnificent in the piano solo cadenza of Shades of Unbroken Dreams. She encapsulates the voice-merging technique used by African American preachers in the second movement. You could hear the voice and speech of Dr. King with every note and it was moving."

Patch News, Nili Nathan, 24.02.2024

"Phantasie Concertante of 1919 by Dora Pejačević, sounding a little like Rachmaninov with a modernist twist, it gave the soloist Alexandra Dariescu a chance to display pianistic brilliance…Dariescu took all this in her stride, matching her steely technique to the tempestuous opening. Where the piano took a calming lead, for instance in a brief duet with cello, the Romanian pianist showed poetic poise."

The Telegraph, John Allison & Alexandra Coghlan, 07.10.2023

"Her first intervention, musical, with contrasts, portends beautiful things for the rest of the work. The balance between Orchester Symphonique de la Monnaie and the soloist is excellent. The sensitivity shown by the pianist is touching. Her playing is elegant and refined but she stands up to the orchestra in the big tutti. It is also necessary to note the beautiful complicity between Alexandra Dariescu and Alain Altinoglu. The latter pays great attention to the soloist and perfectly masters the orchestra to get the best out of it."

Crescendo Magazine, Timothée Grandjean, 01.01.2023

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