„ [...] the model of a conductor in 2014.“I Care If You Listen Magazine
From producing records in Africa to curating innovative concert series in Melbourne, Copenha-gen, Berlin and Helsinki - where he is the newly announced Artistic Director of the Musica nova Helsinki festival - while commissioning genre-defying contemporary projects with his musicians’ collective s t a r g a z e, André de Ridder embodies a unique position amongst today’s conduc-tors. He is sought after for his ability to communicate musical statements both on and off the podium. He has formed close artistic relationships with a diverse range of artists such as Kaija Saariaho, Uri Caine, Bryce Dessner, Michel van der Aa, Damon Albarn and bands such as Mouse on Mars, and performs regularly at international festivals, including BBC Proms, Holland Festival and Sydney Festival.
In 2014/15, de Ridder curated three programmes with Melbourne Symphony for their ‘Metropo-lis’ festival, returned to Chicago Symphony and made his debut with Orchestre de Paris. 2015/16 begins with appearances at Edinburgh International Festival, in concert and conducting world premiere performances of Donnacha Dehenny’s opera ‘The Last Hotel’. De Ridder will furthermore make his debut with Orquestra Sinfônica do Estado de Sao Paulo, New York Phil-harmonic on their ‘Contact’ series and Het Koninklijk Concertgebouw Orkest Amsterdam.
In spring 2015, de Ridder gave performances of Saariaho’s ‘Emilie’ at Finnish National Opera and will this season conduct the world premiere of Saariaho’s ‘Only the Sound Remains’ at Netherlands Opera, to be directed by Peter Sellars. Previous world premieres have included Gerald Barry’s ‘The Bitter Tears of Petra von Kant’ and Michel van der Aa’s ‘The Sunken Gar-den’, both for English National Opera. He undertook a large-scale Monteverdi trilogy project with director Barrie Kosky at the Komische Oper 2012-2015. Future plans include his return to Finn-ish National Opera and his debut at Opéra National de Paris.
In 2013, de Ridder founded ‘s t a r g a z e’, a think-tank pool of like-minded European musicians. Operating from Berlin, they quickly found a home at the legendary Volksbühne theatre, and were awarded a grant to put on their own 3-day festival, 's t a r g a z e presents', performing with artists like Terry Riley, Tyondai Braxton, Nils Frahm, Pantha du Prince and Pekka Kuusisto. They returned to the Barbican Centre last season, for a project with Julia Holter. Appearances this season include Ruhrtriennale with Owen Pallett, Sacrum Profanum Festival in Krakow with These New Puritans and again the Volksbühne-Am-Rosa-Luxemburg-Platz, where they will un-veil ‘s t a r g a z e orchestral' in December 2015.
De Ridder's discography includes Max Richter's The Four Seasons Recomposed (DG) and an album of orchestral music by Bryce Dessner and Jonny Greenwood (DG). The Max Richter recording was awarded an ECHO Klassik ‘Classic Without Borders’ award 2013. In November 2014 de Ridder earned his first credit as 'producer', with the release of "Africa Express Presents: In C Mali", on Transgressive Records. This followed a trip to Bamako, Mali, with Damon Albarn and his Africa Express project. In Mali, de Ridder initiated and led a recording of Riley's ‘In C’ with local musicians, joined by travelling western artists including Brian Eno and Albarn.
André de Ridder was educated in Berlin and subsequently studied at the Music Academies of Vienna and London, under Leopold Hager and Sir Colin Davis.
„Der Berliner Dirigent [André de Ridder], [...], und das Orchester der Schlossfestspiele zeigten in hochkarätiger Spielweise den charakteristischen Stil des jungen Mozarts auf, den die scheinbar spielerische Verbindung zwischen leicht schwebenden und anspruchsvollen Tönen auszeichnet.“Südwest Presse, Bettina Nowakowski, 23.06.15
„[...] one of the world's most daring conductors [...].“The Wall Street Journal, Peter Tinti, 23.10.13
„André de Ridder, conducting with a click track and using a score that incorporated images from the films, held all of the elements together with impressive precision.“The New York Times, Steve Smith, 16.04.13
„Owen Pallett’s ‘Violin Concerto’, which followed, inhabited a strikingly similar place, with textures to which the Britten Sinfonia, under Andre de Ridder’s crisp direction, brought a lovely translucence.“The Independent, Michael Church, 19.03.12
„The performance, with nine solo singers led by Roderick Williams as the Wandering Jew, a quartet of actors and the BBC Singers and Symphony Orchestra under André de Ridder, is first rate; it's a major undertaking that has been realised with great care.“The Guardian, Andrew Clements, 16.06.11
„Anna Clyne's ambitious Rewind, played by the BBC Symphony Orchestra and conducted by an indefatigable André de Ridder, stays in the memory despite so much competition.“The Observer, Fiona Maddocks, 15.05.11
„But my own favourite was Michael Gordon’s Rewriting Beethoven’s Seventh Symphony, with the BBC Symphony Orchestra and the conductor André de Ridder smearing a path between recognisable fragments of the masterwork. It was instructive, impish and enjoyable.“The Times, Geoff Brown, 9.05.11
„The BBC Symphony Orchestra under guest conductor André de Ridder, captured the work's beatific detachment to perfection.“theartsdesk.com, 9.05.11
André de Ridder dirigiert die Londoner Premiere der Kammeroper The Last Hotel von Donnacha Dennehy... weiterlesen
André de Ridder wurde heute zum neuen Artistic Director des Festivals Musica nova Helsinki ernannt,... weiterlesen
André de Ridder debütiert mit dem Melbourne Symphony Orchestra. Inszeniert werden drei verschiedene... weiterlesen
André de Ridder dirigiert am 2. April eine finnische Premiere in Helsinki: Die Oper „Sublime Émilie“... weiterlesen
André de Ridder dirigiert am 2. November eine einmalige private Aufführung der afrikanischen Version... weiterlesen