Los Angeles Chamber Orchestra
Chamber Orchestras
The Los Angeles Chamber Orchestra was founded in 1968 as an artistic outlet for the film and record studios’ most gifted musicians. The Orchestra’s artistic founder, cellist James Arkatov, envisioned an ensemble that would allow these conservatory-trained players to balance studio work and teaching with pure artistic collaboration at the highest level. With the financial backing of philanthropist Richard Colburn and managerial expertise from attorney Joseph Troy, who also became the Orchestra’s first president, LACO presented its first performances in the fall of 1969.
Since then, the 40-member Orchestra has earned a reputation as one of the foremost ensembles of its kind in the world and has been hailed as “America’s finest chamber orchestra” by respected music critic Jim Svejda of KUSC. Renowned pianist and conductor Jeffrey Kahane has led the group since 1997 and has continued the standard of excellence set by the Orchestra’s first four music directors, Sir Neville Marriner, Gerard Schwarz, Iona Brown and Christof Perick.
Praised by the Los Angeles Times as “…a shining feature in L.A.’s cultural landscape…,” the Los Angeles Chamber Orchestra is lauded for its virtuosic music making, dynamic programming and signature personal style. The Orchestra performs repertoire ranging from Baroque masterpieces to newly commissioned works and is recognized for championing young artists on the brink of major careers, as well as working with some of today’s leading artists.
The Los Angeles Chamber Orchestra maintains its local presence with an annual home season of 14 Orchestral Series concerts at two historic theaters, the Alex Theatre in Glendale and UCLA’s Royce Hall; its acclaimed Baroque Conversations series at Zipper Concert Hall; a series of three Family Concerts at the Alex Theatre; and Westside Connections, a series of three chamber music concerts, at The Broad Stage of the Santa Monica Performing Arts Center.
Highlights of the 2010-11 season include:
• The Tenth Anniversary of LACO’s Innovative Sound Investment Commissioning Program with 2010-11 Sound Investment Composer Derek Bermel
• The Continuation of the Popular “Discover” Series at Pasadena’s Ambassador Auditorium Featuring Beethoven’s Symphony No. 7
• Westside Connections Series at The Broad Stage Focusing on Music and the Mind
• Baroque Conversations Series Expansion to Five Concerts
• Family Concert Series Featuring Hip-Hop Peter and the Wolf
• LACO Debuts – Rising Opera Star Sasha Cooke, Young Pianist Lise De La Salle and Bossa Nova Vocalist Luciana Souza
• LACO Guest Artists Highlights – Violinist Leila Josefowicz, Pianist Jon Kimura Parker and Conductor/Pianist Ignat Solzhenitsyn
• LACO Virtuosos — Cellist Andrew Shulman and Clarinetist Joshua Ranz Featured; Music Director Jeffrey Kahane and Concertmaster Margaret Batjer Join Forces in a Double Concerto
Nationally recognized for its support of new music by the American Society of Composers, Authors, and Publishers (ASCAP), LACO has forged meaningful relationships with noteworthy composers throughout its 41-year history. The Orchestra’s 2010-11 season welcomes LACO’s composer-in-residence Derek Bermel as the Sound Investment composer. Bermel’s LACO-commissioned work will premiere at the final concert of the season.
The Los Angeles Chamber Orchestra was honored with The Recording Academy® President’s Merit Award at the Grammy Salute to Classical Music® in 2009 for its continued support and dedication to young musicians and families in the Los Angeles area, and strong commitment to making classical music accessible to everyone. LACO’s Meet the Music program reaches thousands of elementary school students most of whom have never experienced a classical concert before.
By special invitation, the Orchestra has performed in Carnegie Hall’s Chamber Music series under the direction of Jeffrey Kahane and in South America, Europe and Japan. On its most recent tour of European music capitals including Paris, Vienna, Berlin and San Sebastián, LACO garnered praise for its “orchestral athleticism and dynamism” and the “tremendous precision of [its] ensemble playing” (Die Welt).
SEASON 2010/2011
