„His reading of Beethoven's First Symphony was packed with personality.“The Birmingham Post
Olari Elts’ passion for distinctive programming rich with invention has earned him much praise on the international music scene. He appears with orchestras such as Seattle Symphony, Wiener Symphoniker, City of Birmingham Symphony Orchestra, Gewandhausorchester Leipzig, Danish National Symphony Orchestra, Netherlands Radio Philharmonic, Orchestre National de Lyon, Orquesta Sinfónica do Porto Casa da Música, Yomiuri Nippon Symphony Orchestra, Malaysian Philharmonic and Melbourne Symphony Orchestra. Soloists with whom he collaborates include Jean-Efflam Bavouzet, Gautier and Renaud Capuçon, Brett Dean, Isabelle Faust, Alban Gerhardt, Martin Grubinger, Martin Helmchen, Stephen Hough, Felix Kleiser, Kari Kriikku, Sally Matthews, Karita Mattila, Baiba Skride and Antoine Tamastit.
The 2017/18 season sees Elts return to the Finnish Radio Symphony Orchestra, Scottish Chamber Orchestra, RTÉ National Symphony Orchestra (Dublin), Ulster Orchestra, Warsaw Philharmonic, Slovenia Philharmonic of Llubljana, Robert-Schumann Philharmonie Chemnitz and debut with Seoul Philharmonic Orchestra. Crossing genres, Elts tours to the Konzerthaus Berlin with the theatre-concert production which combines Mendelssohn and Shakespeare’s “Midsummer Night’s Dream” with the Tallinn-based theatre company NO99. For Leonard Bernstein’s 100th anniversary, Elts conducts the film “On the Waterfront” with live orchestral accompaniment of the soundtrack both with the Orchestre Philharmonique de Luxembourg and on a return to Orquesta Sinfonica do Porto Casa da Musica. Recently Elts conducted Orchestre National de France at the Paris Présence Festival featuring new works by Kaija Saariaho, Ondřej Adámek and Helena Tulve. With the National Arts Orchestra Ottawa he conducted the world premiere of Gary Kulesha’s Diary of Virginia Woolf.
This season sees the continuation of a recording project of works by Estonian composer Heino Eller including Eller’s violin concerto with Baiba Skride and the Estonian National Philharmonic. Elts’ discography for Ondine includes a disc last season of Erkki-Sven Tüür works with Tapiola Sinfonietta including the viola concerto with Lawrence Power, and a release of Tüür’s Symphony No. 5 for electric guitar, orchestra, big band and the accordion concerto Prophecy. His 2016 recording of Brahms’ arrangements (Detlev, Berio) with Helsinki Philharmonic won high praise.
In the opera field, Elts led a new production of Eugene Onegin for Arctic Opera on tour in Norway in 2015 and titles such as Britten’s Albert Herring and Puccini’s Il Trittico at the Estonian National Opera as well as Mozart’s Don Giovanni and Idomeneo with both Latvian and Estonian National Symphony Orchestras. At the Opéra de Rennes, he conducted Berlioz’s La Damnation du Faust.
Elts is Principal Guest Conductor of the Estonian National Symphony Orchestra. He was Principal Guest Conductor of the Helsinki Philharmonic from 2011-2014, Principal Guest of the Orchestre de Bretagne from 2006-2011, Principal Guest Conductor of the Scottish Chamber Orchestra from 2007-2010 and Principal Conductor of the Latvian National Symphony Orchestra from 2001-2006. Born in Tallinn in 1971, Elts is founder of his contemporary music ensemble, NYYD Ensemble.
“Elts’ conducting can be flamboyant at the same time as being meticulously precise. [...] The result in Rachmaninov’s Symphonic Dances had intensity and color, decisiveness and vigor, allied with the same sensitivity which pervaded the Rhapsody, plus fine work from the alto saxophone in the first movement.”The SunBreak, Philippa Kiraly, 17.04.2017
“There’s an irresistible energy and joy in Elts’ conducting style; he leaps about the podium, sweeping his arms and hands in enthusiastic but exquisitely clear, focused gestures. His gift for revealing inner structures gave the symphony a fresh, living dimensionality.”Artsfile Ottawa, Natasha Gauthier, 30.03.2017
“What made it really special was Elts’s remarkable handling of the orchestral texture, exquisitely balanced to revealing effect, so that you heard things you’d swear were never there before – but thankfully, never feeling in the slightest calculated.”The Scotsman, David Kettle, 11.04.2016
“Olari Elts is a regular collaborator with the Scottish Chamber Orchestra, but it hasn’t meant that he has ended up doing things out of habit. Quite the reverse. He approached Beethoven’s Fifth Symphony as though it was being played for the first time, with sparkling energy, clear articulation and a sense of narrative drive that rendered the whole thing sort of unarguable.”Seen and Heard International, Simon Thompson, 08.04.2016
“Olari Elts went on to sculpt Shostakovich's Tenth Symphony in big, sweeping gestures and a positively lurid palette of orchestral colours. [...] This was broad-brush Shostakovich, thrillingly physical and reeking of vodka and boot-leather. The ending drew cheers.”Birmingham Post, Richard Bratby, 05.02.2016
“Elts guided an inspired Seattle Symphony orchestra with the precision of an artisan, arising new and surprising nuances from Haydn´s music.”Opera World, Carlos J. Lopez, 23.01.2016
“The true star of the show, though, was Estonian conductor Olari Elts, who rather magically managed to conjure quite analytical, microscopically detailed performances that still sparkled with spontaneity and fresh, vivid life.”The Scotsman, David Kettle, 11.05.2015
Olari Elts is conducting Orchester National de France in a very special programme as part of the... read more
Olari Elts makes his debut with the Gewandhausorchester Leipzig. With a programme of Rachmaninoff... read more
Olari Elts conducts the Latvian National Symphony Orchestra in a performance of Mahler 8 in the... read more
Olari Elts conducts the Yomiuri Nippon Symphony Orchestra in a programme of Glinka, Rachmaninov and... read more
Olari Elts will conduct a production of A Midsummer Night’s Dream this June. Premiere on 1 June 2016... read more