„Baiba Skride is never less than mesmerising in the Brahms Concerto“Strad Magazine
Baiba Skride’s natural approach to her music-making has endeared her to some of today’s most important conductors and orchestras worldwide. She is consistently invited for her refreshing interpretations, her sensitivity and delight in the music. The list of prestigious orchestras with whom she has worked include the Berlin Philharmonic, Boston Symphony Orchestra, Concertgebouw Orkest. Sinfonieorchester des Bayerischen Rundfunks, Orchestre deParis, London Philharmonic, Gewandhausorchester Leipzig and NHK Symphony. Notable conductors she collaborates with include Christoph Eschenbach, Thierry Fischer, Paavo and Neeme Järvi, Andris Nelsons, Santtu Matias Rouvali, Vasily Petrenko, Yannick Nézet-Séguin, John Storgårds and Kazuki Yamada.
European highlights for the 2016/17 season include debuts with Philharmonia Orchestra London, Orchestra Sinfonica Nazionale della Rai and Orquestra Simfònica de Barcelona. She will return to the Vienna Symphony with Gustavo Gimeno, the Stockholm, Bergen and Copenhagen Philharmonic Orchestras, and Royal Liverpool Philharmonic with Vasily Petrenko. She opens the season for Gothenburg Symphony Orchestra with Alain Altinoglu before embarking on a tour to Northern Europe. Further afield, she performs with Yomiuri Nippon Symphony Orchestra/Cornelius Meister, Nagoya Philharmonic Orchestra/ Thierry Fischer and returns to the Sydney, Tasmanian, and Western Australian Symphony Orchestras.
In February 2016, Baiba Skride made her debut with the New York Philharmonic with Christoph Eschenbach. The concerts were a huge success with Vivien Schweitzer in the New York Times writing, “Ms. Skride brought a wide tonal palette to her insightful and passionate interpretation, her tone meaty and bold to open, then sweet, gossamer and brash.’’ This season Baiba Skride will appear with Chicago Symphony, Cleveland Symphony, as well as Boston Symphony for the American premiere of Sofia Gubaidulina’s Triple Concerto for violin, cello, and bayan.
Baiba Skride is a sought after chamber musician, regularly performing at festivals and venues, such as Concertgebouw Amsterdam, Wigmore Hall London, Palais des Beaux Arts Brussels, Bad Kissingen and Festspiele Mecklenburg-Vorpommen. In the 2016/17 season she appears in a new piano quartet with Lauma Skride, Harriet Krijgh and Lise Berthaud performing at the Schubertiade Schwarzenberg, Malmö Chamber Festival and BASF Ludwigshafen. Other artists she collaborates with include Bertrand Chamayou, Brett Dean, Sol Gabetta, Alban Gerhardt, Xavier de Maistre and Daniel Mueller-Schott.
Skride was born into a musical Latvian family in Riga where she began her studies, transferring in 1995 to the Conservatory of Music and Theatre in Rostock. In 2001 she won the 1st prize of the Queen Elisabeth Competition. Baiba Skride plays the Yfrah Neaman Stradivarius kindly loaned to her by the Neaman family through the Beares International Violin Society.
“The opening solo in the Adagio of Mozart’s Fifth Violin Concerto provided a template for the way Baiba Skride approached the whole work: beautiful, simple playing, with exquisitely crafted phrases.”The Strad, Tim Homfray, 01.2017
“Stenhammar's relatively early Violin Sonata combines romantic ardour and lyrical generosity with playfulness in a manner not quite like anyone else. This is very mushc a sonata 'for' the violin, and Baiba Skride clearly relishes its masterly solo writing.”BBC Music Magazine, Stephen Johnson, 12.2016
“Skride exhibited virtuosity, musicality and absolute control and mastery of dynamics from the very first moment. There were no passages too technically difficult that could have phased her. On the contrary, she seemed to ease into the performance with a luminous naturalness. And her dialogue with the orchestra was always agile and fluid [...]”elPeriodico, César López Rosell, 26.11.2016
“She is a player of rare intelligence and individuality [...].”Gramophone, Andrew Mellor, 10.2016
“She brought out the tenderness and introspection in Sibelius' circling lyrical passages. Her playing had a wonderful purity, clarity and quiet to match the patience of the music, especially in the hushed soliloquy that is the slow movement.”Chicago Tribune, John von Rhein, 28.10.2016
“Double-stopped layers Skride dispatched like child's play, and to the score's extended, twisting ruminations, she applied the precision of a laser beam. Snarling anger and biting sarcasm also came naturally to her, and her Adagio possessed both the power and molten intensity of a lava stream.”Cleveland.com, Zachary Lewis, 17.10.2016
“Of course she was brilliant, but essentially her performance had a depth of delicacy and rapture that froze me to my seat. There were no two ways about it, Skride’s playing was in another league. I could not believe that a single instrument could fill the Hall with such silky precision while creating endless, gorgeous melodies.”The Express, Jeffrey Taylor, 04.09.2016
“Ms. Skride brought a wide tonal palette to her insightful and passionate interpretation, her tone meaty and bold to open, then sweet, gossamer and brash. The lyrical lines unfolded with soaring energy, and she surmounted the technical challenges with aplomb.”New York Times, Vivien Schweitzer, 26.02.2016
“She had much to say about the music, through gutsy attack, tender lyricism and sheer musicianship, which freshly shaded and shaped the score to passionate heights and confiding entreaties.”Classical Source, Colin Anderson, 12.02.2016
“Skride’s pure, shimmering tone has a way of creating an aura around itself: the most memorable moments of this performance were the quietest and Skride’s delicate final gesture spoke louder than any number of lush climaxes.”Birmingham Post, Richard Bratby, 05.02.2016
“The notes out of Skride violin were pure and clear as crystal, a prodigious of honesty and delicacy. Her approach is just fine with the style and the composer.”Opera World, Carlos J. Lopez, 23.01.2016
“Skride played with unfailing eloquence, energy and refinement (and spot-on accuracy) through all the various complexities that Prokofiev packed in for the soloist, cadenza or not. It was a joy to hear someone playing at this level on an instrument this beautiful.”Ionarts, Charles T. Downey, 16.01.2016
“Skride played sparkling trills and solid double stops, and the work between orchestra and soloist seemed so tight the usually reserved Naples audience broke tradition and applauded.”Naples Daily News, Harriet Howard Heithaus, 9.01.2016
Tonight marks the opening concert of the prestigious International Chamber Music Festival Utrecht,... read more
Summer is here and the Festival Season has begun. Again this year many of our artists are performing... read more
Baiba and Lauma Skride celebrate International Women’s Day with the BBC National Orchestra of Wales.... read more
Baiba Skride and Harriet Krijgh will make their Carnegie Hall debut tonight once again performing... read more
We are excited to announce that three artists represented by Konzertdirektion Schmid will perform... read more
Baiba Skride makes her debut with the Chicago Symphony Orchestra. She will play the Sibelius violin... read more
Alain Altinoglu and Baiba Skride make their debut in the Cleveland Orchestra’s main series this... read more
Baiba and Lauma Skride's recording was chosen CD of the week at the radio station NPO Radio 4 in the... read more
The „Ladies Quartet“ with Baiba and Lauma Skride, Harriet Krijgh and Lise Berthaud gives its debut... read more
Baiba Skride returns to the BBC Proms and performs Mozart violin concerto No. 5 with the BBC... read more
Baiba Skride will perform a recital as part of the Utzon Music Series at the Sydney Opera House. She... read more
Baiba Skride returns to Japan and performs with the Yomiuri Nippon Symphony Orchestra in Tokyo’s... read more
Baiba and Lauma Skride’s latest duo CD is now released by Orfeo. The Nordic inspired recording... read more
Baiba and Lauma Skride return to Latvia to perform in a duo recital together in Jurmala on the 23rd... read more